Sökning: "Passions"
Visar resultat 1 - 5 av 14 avhandlingar innehållade ordet Passions.
1. Towards Hilaritas : A Study of the Mind-Body Union, the Passions and the Mastery of the Passions in Descartes and Spinoza
Sammanfattning : The study aims to explain the role of external causes in René Descartes’s (1594–1650) and Benedictus de Spinoza’s (1632–1677) accounts of the mastery of the passions. It consists in three parts: the mind-body union, the passions and their classification, and the mastery of the passions. LÄS MER
2. Upplysning utan förnuft : begär och frihet hos Thomas Hobbes, John Locke, David Hume och Montesquieu
Sammanfattning : This essay has three main aims. The first one is to give an overview of some hundred years of European intellectual history, bringing out new aspects of the classical thinkers. The analysis of the four philosophers Thomas Hobbes, John Locke, David Hume and Charles de Montesquieu aims at illustrating a general historical process, viz. LÄS MER
3. The power of character : Middle-class masculinities, 1800–1900
Sammanfattning : This is a study of continuity and change in middle-class conceptions of ideal manhood. My theoretical cues are the notions of the male as an unproblematised and genderless norm, masculinity as homosocial, and George L. Mosse’s use of countertypes. Notions of passions, youth, and character were important throughout the century. LÄS MER
4. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER
5. Music, mind and the serious Zappa : the passions of a virtual listener
Sammanfattning : This dissertation argues that music is always ideological. For this thesis two lines of argument are given. The first states that music is always ideological because it requires verbal discourses about itself. The second line of argument states that music is always ideological because it influences the listener affectively. LÄS MER
