Sökning: "Paris art"
Visar resultat 1 - 5 av 25 avhandlingar innehållade orden Paris art.
1. Könsskillnadens estetik? Om konst och konstskapande i svensk hemslöjd på 1920- och 1990-talen
Sammanfattning : The main objective of this PhD thesis, "An Aesthetics of Sexual Difference? On Art and Artistry in Swedish Handicraft of the 1920s and 1990s", is to investigate the field of handicraft in relation to a wider field of cultural production. Its aim is to contribute to a mapping of interrelated outlines of handicraft and art based on empirical studies of artistic creation in two local Swedish handicraft organizations during the modernism of the 1920s and the postmodernism of the 1990s. LÄS MER
2. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World
Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER
3. Landskapets röster : Studier i Elias Martins bildvärld
Sammanfattning : This thesis is about the Swedish landscape painter Elias Martin (1739-1818). The main interest is in his depictions of nature, landscape images and topographical views. Chronologically, it covers the period 1760 to 1810. LÄS MER
4. The Book of Hours of Johannete Ravenelle and the Parisian Book Illumination Around 1400
Sammanfattning : Within the French book of hours C 517e in the manuscript collection of the University Library in Uppsala, the name of the owner, Johannete Ravenelle, appears in a prayer. Examination of the decoration, miniatures and texts demonstrates that ms C 517e is consistent with Parisian art and books of hours around 1400. LÄS MER
5. Arvet efter surrealismen : Grafikskolan Forum 1964-1991
Sammanfattning : The dissertation examines Grafikskolan Forum, the Forum School of Printmaking in Malmö, Sweden, and its roots in the surrealist inspired view of the artistic creative process that focused upon automatism, chance events and accidents. The point of departure is the thoughts on artistic creativity of the leader of French surrealism, André Breton. LÄS MER