Visar resultat 1 - 5 av 17 avhandlingar innehållade ordet Ornamentation.
Sammanfattning : One of the aims of this dissertation is to classify the crosses that can be found on the Late Viking Age runestones of Scandinavia. The cross-incised runestones are analysed in relation to the overall runestone production of Scandinavia during the Late Viking Age, with a focus on Sweden. LÄS MER
Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER
3. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER
4. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning
Sammanfattning : This thesis analyses the Swedish chorale book in two parts edited by J.C.F. Hæffner in 1820-21 to the new hymnal by Wallin of 1819. LÄS MER
Sammanfattning : This study describes the Tuscan, Doric, Ionic and Corinthian orders as subsystems, which were configured according to the desired effect of the system, i.e. the architecture. This follows what Vitruvius termed decor and was dependent on either physical factors, convention or custom. LÄS MER