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Visar resultat 1 - 5 av 9 avhandlingar som matchar ovanstående sökkriterier.
1. Nihilism, Art, and Technology
Sammanfattning : The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Heidegger, and Ernst Jünger, all of which share a certain avant-garde sensibility and a notion of art as a response to nihilism. LÄS MER
2. Nihilismus, Sprache und Wahrnehmung : Zur Anthropologie Lacans und Merleau-Pontys
Sammanfattning : In my doctoral thesis, I diversify so-called deviant behavior of children by means of a critical concept of nihilism and lead them back to a certain intellectual origin, namely, to the idealistic thinking tradition, which leads to the Philosophy of Lack and Not. I see this philosophy in the theories of Lacan and Merleau-Pontys, diametrically opposed to the idealistic thinking tradition. LÄS MER
3. Nietzsche and the Philosophy of Pessimism : Schopenhauer, Hartmann, Leopardi
Sammanfattning : This dissertation is a study of the predominantly German pessimistic tradition in the philosophy of the late nineteenth century, and of Nietzsche’s complex relation to that tradition. The aim of the dissertation is firstly to analyse how pessimism came to be established as a philosophical concept by Schopenhauer and a later generation of pessimistic thinkers, and secondly to investigate how Nietzsche understood pessimism. LÄS MER
4. Nollpunkten : Precisionens betydelse hos Witold Gombrowicz, Inger Christensen och Herta Müller
Sammanfattning : This dissertation examines precision as an aesthetic concept and practice in texts by Witold Gombrowicz (1904–1969), Inger Christensen (1935–2009) and Herta Müller (1953–). Although often referred to in contemporary criticism as a marker of aesthetic value, precision in literature has rarely been the subject of academic study. LÄS MER
5. Conversation and Figuration from the Horizontality of the 2.0 Decade
Sammanfattning : This thesis concerns the 2.0 decade, the decade when the social web started to develop. The main research objective is to contribute to our embedment in Internet technology in a conscious and livable way. The thesis is part of a general attempt to improve our understanding of the transformation taking place in the development of the web. LÄS MER