Sökning: "Nietzsche språk"

Visar resultat 1 - 5 av 10 avhandlingar innehållade orden Nietzsche språk.

  1. 1. Le paradis perdu et retrouvé : Étude de l'innocence et de la culpabilité dans l'oeuvre d'Albert Camus

    Författare :Paula von Wachenfeldt; Eva-Karin Josefson; Pierre Schoentjes; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Camus; innocence; guilt; Ricoeur; Nietzsche; happiness; redemption; question of evil; consciousness; absolute and relative; justice and injustice; godless salvation; child; Le Premier Homme ; French language; Franska språket;

    Sammanfattning : The aim of this dissertation is to investigate a recurrent idea that dominates the works of Albert Camus, namely the search for man’s innocence. A study of this notion, however, will to the same extent require an examination of guilt, since the signification of the first depends on the second and since both exist in Camus. LÄS MER

  3. 2. Into the Isle of Self : Nietzschean Patterns and Contrasts in D. H. Lawrence's The Trespasser

    Författare :Cecilia Björkén; Sven Bäckman; Sweden Lund Lund University Department of English; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; English language and literature; Apollonian-Dionysian; influence; The Trespasser; Nietzsche; D. H. Lawrence; English language; Engelska språket; Literature; Litteraturvetenskap;

    Sammanfattning : This thesis is based on a close reading of Lawrence's novel The Trespasser from a Nietzschean point of view. By adopting this perspective it aims at giving the novel the sense of unity it has so far been alleged to lack. The analysis is preceded by a detailed discussion of the concept of literary influence. LÄS MER

  4. 3. Kris, alienation och autenticitet i Lev Sestovs filosofi

    Författare :Lars Douglas Eriksson; Anna Ljunggren; Irina Karlsohn; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Shestov; crisis; alienation; authenticity; death; reason; morality; life; freedom; individuality; tragic; suffering; despair; hopelessness; loneliness; uncertainty; insanity; darkness; sickness; revelation; faith; caprice; God; slaviska språk; Slavic Languages;

    Sammanfattning : In this study of Lev Shestov, the biographical method is used to explain his philosophy. The grave crisis or nervous breakdown Shestov went through caused a total transformation of his - convictions and values. LÄS MER

  5. 4. Gustafs ansigter : selvfremstilling i Gustaf Munch-Petersens forfatterskab

    Författare :Martine Cardel Gertsen; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; litteraturteori; litteraturkritik; Allmän och jämförande litteratur; contexts and interpretation; biography and poetry; self-representation; primitivism; identity; mystical and religious imagery; surrealism; Nietzsche; vitalism; General and comparative literature; literary theory; literature criticism; Scandinavian languages and literature; Nordiska språk språk och litteratur ;

    Sammanfattning : The Danish-Swedish writer Gustaf Munch-Petersen (1912-1938) is considered one of the pioneers of Danish modernist poetry. His death at the age of 26 as a volunteer in the Spanish Civil War, a conflict that was later widely understood as a prelude to the Second World War, made him one of “the young dead” of Scandinavian literature. LÄS MER

  7. 5. La Poétique de Houellebecq : réalisme, satire, mythe

    Författare :Jacob Carlson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Michel Houellebecq; poetics; metaphysics; Arthur Schopenhauer; Auguste Comte; positivism; Jean Cohen; aesthetic categories; lyricism; literary genre; Erich Auerbach; literary realism; Mikhail Bakhtin; satire; Menippean satire; cynicism; Novalis; Michael Riffaterre; motif of light vs; darkness; motif of the sun; myth; literary myth; myth of androgyny; symbol; romanticism;

    Sammanfattning : This thesis sets out to explore French writer Michel Houellebecq’s poetics of the novel. It is advanced in the introduction that Houellebecq’s work could be read against the novelist’s 1997 suggestion that “if somebody today was able to craft a mode of expression that was at once honest and positive, they would change the world”. LÄS MER