Sökning: "Narcissus"

Hittade 3 avhandlingar innehållade ordet Narcissus.

  1. 1. In Memory of Narcissus : Aspects of the Late-Modern Subject in the Narcissus Theme 1890-1930

    Författare :Niclas Johansson; Torsten Pettersson; Björn Sundberg; Carin Franzén; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Narcissus; subject; selfhoood; modernity; myth; intertextuality; cultural semiotics; Juri Lotman; Renate Lachmann; André Gide; Hermann Hesse; Havelock Ellis; Isidor Sadger; Otto Rank; Sigmund Freud; Literature; Litteraturvetenskap;

    Sammanfattning : .... LÄS MER

  3. 2. The Narcissus Theme from Fin de Siècle to Psychoanalysis : Crisis of the Modern Self

    Författare :Niclas Johansson; Torsten Pettersson; Björn Sundberg; Bo Hakon Jørgensen; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Narcissus; narcissism; Symbolism; decadence; psychoanalysis; selfhood; subjectivity; modernity; Sigmund Freud; Oscar Wilde; André Gide; Paul Valéry; Leopold Andrian; Literature; Litteraturvetenskap;

    Sammanfattning : This dissertation is an intertextual-thematological investigation of the Narcissus theme at the turn of the century 1900. It focuses primarily on French-, German-, and English-language decadent and Symbolist literature from the 1890s and early 1900s, as well as on early sexology and psychoanalysis. LÄS MER

  4. 3. Spegling och skapande : En studie i Lena Cronqvists "Målaren och hennes modell"

    Författare :Nina Weibull; Tomas Björk; Margaretha Lagerlöf; Anette Göthlund; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Self-portrait; Mirror; Creativity; Nude; Gaze; Gender; Paraphrase; Psychoanalysis; Primary Process Thinking; Border Object ; Mother s Body; Identity; Ambiguity; Androgyny; Alchemy; Vanity; Narcissus; Medusa; Freud; Lacan; Klein; Irigaray; Modersohn-Becker; Matisse; Kahlo; Helen Chadwick; Art; Konstvetenskap;

    Sammanfattning : For their self-representation painters are referred to the use of existing codes of representation. These codes can be modified by displacement of conventional meaning. In the historically central discourse of the figure of the artist, the model functions as a complementary aspect of the painter. LÄS MER