Sökning: "Musical interpretation"

Visar resultat 21 - 25 av 46 avhandlingar innehållade orden Musical interpretation.

1. 21. Wrestling with Textual Violence : A Case Study of the Jephthah Narrative in Antiquity and Modernity with Special Regard to Gender

   Författare :Mikael Sjöberg; Lars Hartman; Hanna Stenström; David Miller Gunn; Uppsala universitet; []
   Nyckelord :Humanities and religion; feminism; feminist exegesis; feminist biblical interpretation; gender; classic; canon; ethics of interpretation; narratology; Jephthah; Judges; Pseudo-Philo; Josephus; Handel; Grant Watson; Amos Oz; HUMANIORA OCH RELIGIONSVETENSKAP; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; gamla testamentets exegetik; Old Testament Exegesis;

   Sammanfattning : How may readers handle the encounter with violence in a “classical text”? The purpose of this thesis is to contribute to the debate on the ethics of biblical interpretation with special regard to feminism. To fulfil that aim, a case study of the narrative of Jephthah is made and its implications are discussed at a more general level. LÄS MER

3. 22. Interaktiv musikkomposition

   Författare :Anders-Petter Andersson; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Interactive Music; Music Composition; Improvisation; Sound Design; Interaction Design; Musicology; Narrative; Gameplay; Co-creator; Collaboration; Open; Computer Music; Practice based; Artistic Research; Research by Design; Music analysis; Musicking; Musical Mediation; Shifting response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Musikvetenskap; Musikkomposition; Improvisation; Interaktiv musik; Interaktionsdesign; Medskapare; Öppen; Skiftande respons; Musikalisk mediering; Praktikbaserad forskning; Konstnärlig forskning; Musik och hälsa; Music and Health; Dator; Computer; User; Användare; Samarbeta; Komponera; Soundscape; Ljudlandskap;

   Sammanfattning : This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. LÄS MER

4. 23. Interaktiv musikkomposition

   Författare :Anders-Petter Andersson; Ola Stockfelt; Sanne Krogh Groth; Högskolan Kristianstad; Göteborgs universitet; Gothenburg University; []
   Nyckelord :HUMANITIES; HUMANIORA; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; TEKNIK OCH TEKNOLOGIER; HUMANIORA; ENGINEERING AND TECHNOLOGY; HUMANITIES; Interactive Music; Music Composition; Improvisation; Sound Design; Interaction Design; Musicology; Narrative; Gameplay; Co-creator; Collaboration; Open; Computer Music; Practice based; Artistic Research; Research by Design; Music analysis; Musicking; Musical Mediation; Shifting response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Interaktiv musik; Musikkomposition; Improvisation; Ljuddesign; Interaktionsdesign; Musikvetenskap; Narrativ; Spelbarhet; Medskapare; Samarbeta; Öppen; Datormusik; Praktikbaserad; Konstnärlig forskning; Konstnärlig-kreativ; Designforskning; Musikanalys; att musika; Musikalisk mediering; Skiftande response; Genre; Funk; Jazz; Techno; SuperCollider; Max MSP; Interactive Music; Skiftande respons; Praktikbaserad forskning; Musik och hälsa; Music and Health; Dator; Computer; User; Användare; Komponera; Soundscape; Ljudlandskap;

   Sammanfattning : This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. LÄS MER

5. 24. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen

   Författare :Jonas Lundblad; Johannes Brusila; Edward Campbell; Åbo Akademi University Psychology and Theology Faculty of Arts Musicology; []
   Nyckelord :HUMANIORA; HUMANITIES; Olivier Messiaen; musical modernism; performance; composition; aesthetics; theory; Musikvetenskap; Musicology;

   Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER

7. 25. Improvisation, Computers, and Interaction : Rethinking Human-Computer Interaction Through Music

   Författare :Henrik Frisk; Musikhögskolan i Malmö; []
   Nyckelord :HUMANIORA; HUMANITIES; Neural networks; Improvisation; Human-computer interaction; Interaction; musical composition; composition;

   Sammanfattning : Interaction is an integral part of all music. Interaction is part of listening, of playing, of composing and even of thinking about music. LÄS MER