Sökning: "Musical interpretation"

Visar resultat 1 - 5 av 33 avhandlingar innehållade orden Musical interpretation.

  1. 1. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Anders Tykesson; Göteborgs universitet.; Gothenburg University.; [2009]
    Nyckelord :HUMANIORA; HUMANITIES; musical analysis; musical gestures; musical interpretation and performance; musical meaning; musical narrative; music theory; music as emotional expression; music as action; music as motion; music as mimesis; music and language; musical hermeneutics; musical phenomenology; musical semiotics; artistic research; Anders Eliasson; Hans-Heinrich Eggebrecht; Hans-Georg Gadamer; Robert Hatten; Ernst Kurth; Paul Ricoeur; Bo Wallner;

    Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER

  2. 2. Free Ensemble Improvisation

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Harald Stenström; Göteborgs universitet.; Gothenburg University.; [2009]
    Nyckelord :HUMANIORA; HUMANITIES; aleatorics; artistic research; attractor state; central tone; chaotic systems; collective understanding; comprovisation; conceptual model; directed motion; ensemble size; feedback and feedforward; free ensemble improvisation; gesture; importance of rhythm; indeterminacy; interactional skill; listening skill; musical evaluation; musical interaction; musical maturity; musical chemistry; musical interpretation; musical composition; non-idiomatic improvisation; rhythmic flow; sound properties; stylistic influences;

    Sammanfattning : The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without having predetermined what is to be played or how they should play. The background to this thesis has been the author’s own free improvising, which he has pursued since 1974, and the questions that have arisen whilst music-making. LÄS MER

  3. 3. Talk on Musical Interpretation — Visual Tools for Perceived Dynamics and Points of Gravity

    Detta är en avhandling från Malmö Academy of Music, Lund University

    Författare :Ingemar Fridell; Lunds universitet.; Lund University.; [2009]
    Nyckelord :HUMANIORA; HUMANITIES; communication of musical issues; visual tools; perceived dynamics; melody phrasing; points of gravity; visual illustrations; musical experiences; Musical interpretation;

    Sammanfattning : Typical for Western classical music is the process of interpreting and conveying a written score into sounding music. However, sometimes the communication of musical issues between musicians may be experienced as aggravating. LÄS MER

  4. 4. The Melody Phrasing Curve — A Visual Tool for Illustrating Perceived Musical Dynamics

    Detta är en avhandling från Malmö Academy of Music, Lund University

    Författare :Ingemar Fridell; Lunds universitet.; Lund University.; [2006]
    Nyckelord :HUMANIORA; HUMANITIES; melody line; musical dynamics; Melody phrasing; perception; interpretation; visual tools; musical communication; performance;

    Sammanfattning : In Western classical music traditions, conventional ways of considering melody have been established. The tones of a melody phrase might be experienced as building up a continuous line moving between dynamical culmination points and relaxation points. In this study, a special visual tool called the Melody phrasing curve (MPhC) has been tested. LÄS MER

  5. 5. A Quantitative Rule System for Musical Performance

    Detta är en avhandling från KTH Royal Institute of Technology

    Författare :Anders Friberg; KTH.; [1995]
    Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; music performance; expression; interpretation; rules; computer music; midi; jnd; time discrimination; locomotion; motion; listening experiment; perception; timing; phrasing; intonation; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER