Sökning: "Musical Performance"
Visar resultat 6 - 10 av 72 avhandlingar innehållade orden Musical Performance.
6. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach
Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER
7. The Melody Phrasing Curve : A Visual Tool for Illustrating Perceived Musical Dynamics
Sammanfattning : In Western classical music traditions, conventional ways of considering melody have been established. The tones of a melody phrase might be experienced as building up a continuous line moving between dynamical culmination points and relaxation points. In this study, a special visual tool called the Melody phrasing curve (MPhC) has been tested. LÄS MER
8. The Subjectivity of Musical Performance : An Exploratory Music-Psychological Real World EnquiryInto the Determinants and Education of Musical Reality
Sammanfattning : .... LÄS MER
9. Staging Violence, Singing Hope : Trauma, Memory, and Affect in Three Musical and Dance Performances by North Korean Migrants in South Korea
Sammanfattning : This thesis presents new research on artistic performances of North Korean migrants living in South Korea through critical analyses of three case studies. Two of the case studies are focused on a North Korean migrant women's musical troupe, and one on a choir of North Korean and South Korean youths. LÄS MER
10. Never Heard Before: A Musical Exploration of Organ Voicing
Sammanfattning : This study describes the role of organ sounds in musical performance and exa- mines the visions and artistic perspectives of the voicer, who creates the sounds, and the organist, who uses them in performance. Organ pipe sounds are shaped in a process of gradual transformation called voicing, to suit the practice of musical performance, and they influence that practice in significant ways. LÄS MER