Sökning: "Musical Performance"

Visar resultat 11 - 15 av 72 avhandlingar innehållade orden Musical Performance.

  1. 11. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen

    Författare :Jonas Lundblad; Johannes Brusila; Edward Campbell; Åbo Akademi University Psychology and Theology Faculty of Arts Musicology; []
    Nyckelord :HUMANIORA; HUMANITIES; Olivier Messiaen; musical modernism; performance; composition; aesthetics; theory; Musikvetenskap; Musicology;

    Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER

  3. 12. Mellan provins och parnass : John Fernström i svenskt musikliv

    Författare :Boel Lindberg; Musikvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; career; symphonic music; vocal music; musical style 1920­1945; musical modernism; male choir; working menOEs choir; peopleOEs concerts; Bourdieu; cultural field; cultural capital; habitus; national culture; provincial culture; Composer; biography; musical t; Musicology; Musikvetenskap;

    Sammanfattning : The Swedish composer John Fernström (1897-1961) wrote over 200 pieces in the genres of symphonic music, chamber music and vocal music for mixed choirs, male choirs and solo vocals accompanied by piano. He lived most of his life in the province of Scania, first working in Helsingborg from 1916­ 1939 as a violinist in Nordvästra Skånes Orkester- förening [the Northwest Scanian Orchestra], whereafter he moved to Malmö and worked as a freelance conductor and composer until 1943. LÄS MER

  4. 13. Ups and Downs, Violin Bowing as Gesture

    Författare :Peter Spissky; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; musical gestures; musical interpretation; baroque music; embodied music cognition; historical performance practice; Historically informed performance; baroque dance;

    Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER

  5. 14. Feminist musical engagements : The struggle against gender inequalities in music-making practices

    Författare :Rebecca Dobre Billström; Sam de Boise; Eva Georgii-Hemming; Tiina Rosenberg; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Music-making; feminism; gender equality; affective solidarity; Swedish music;

    Sammanfattning : The debate around gender equality and feminist concerns in relation to musical life are increasingly part of Swedish public discourse. Attention directed to structural gender inequalities in various music scenes by feminist associations, governmental intervention in these issues, and the recent #metoo-protests against sexual harassment and violence in the music industries, are all part of this. LÄS MER

  7. 15. Talk on Musical Interpretation — Visual Tools for Perceived Dynamics and Points of Gravity

    Författare :Ingemar Fridell; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; communication of musical issues; visual tools; perceived dynamics; melody phrasing; points of gravity; visual illustrations; musical experiences; Musical interpretation;

    Sammanfattning : Typical for Western classical music is the process of interpreting and conveying a written score into sounding music. However, sometimes the communication of musical issues between musicians may be experienced as aggravating. LÄS MER