Sökning: "Music Transcription"

Visar resultat 1 - 5 av 6 avhandlingar innehållade orden Music Transcription.

1. 1. Modeling Music : Studies of Music Transcription, Music Perception and Music Production

   Författare :Anders Elowsson; Anders Friberg; Pawel Herman; Anders Askenfelt; Gerhard Widmer; KTH; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; NATURVETENSKAP; NATURAL SCIENCES; Music Information Retrieval; MIR; Music; Music Transcription; Music Perception; Music Production; Tempo Estimation; Beat Tracking; Polyphonic Pitch Tracking; Polyphonic Transcription; Music Speed; Music Dynamics; Long-time average spectrum; LTAS; Algorithmic Composition; Deep Layered Learning; Convolutional Neural Networks; Rhythm Tracking; Ensemble Learning; Perceptual Features; Representation Learning;

   Sammanfattning : This dissertation presents ten studies focusing on three important subfields of music information retrieval (MIR): music transcription (Part A), music perception (Part B), and music production (Part C).In Part A, systems capable of transcribing rhythm and polyphonic pitch are described. LÄS MER

3. 2. Think’st thou to seduce me then? Impersonating female personas in songs by Thomas Campion (1567-1620)

   Författare :Katarina A. Karlsson; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Thomas Campion; lute songs; female personas; gender; same sex desire; musical interpretation; Overbury; artistic research; arrangements for female vocal quartet; English Lute Songs; Music;

   Sammanfattning : This dissertation is in the field of Artistic Research in Music Interpretation. It is a study of songs with female personas written by Thomas Campion, investigated through performance practice and a critical reading of historical research carried out on the English Renaissance. LÄS MER

4. 3. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l’Elektronmusikstudion à Stockholm 1965-1980 : Deux directions artistiques différentes à partir d’une idée commune

   Författare :Elif Balkir; Jacob Derkert; Marc Battier; Bruno Bossis; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; electroacoustic music; acousmatic music; music concrète; text-sound; tripartition; poietic level; neutral level; typo-morphology; Gestalt; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; musique électroacoustique; musique acousmatique; musique concrète; tripartition; text-sound; niveau poïétique; niveau neutre; typo-morphologie; Gestalt; Musicology; musikvetenskap;

   Sammanfattning : La thèse en question trace un parcours comparatif sur les approches créatrices et technologiques qui ont été développées au GRM (Groupe de Recherches Musicales) et à l’EMS (Elektronmusikstudion) de 1965 à 1980. Cette recherche vise à étudier les interactions principales entre les concepts musicaux des pionniers des musiques électroacoustiques en France et en Suède, Pierre Schaeffer et Knut Wiggen et l’évolution des directions artistiques au sein de leur institutions. LÄS MER

5. 4. Sound Notation : The visual representation of sound for composition and analysis

   Författare :Sköld Mattias; Roberto Bresin; Henrik Frisk; Kjetil Falkenberg; Craig Vear; KTH; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; notation; aural sonology; music analysis; electroacoustic music; computer-aided composition; Media Technology; Medieteknik;

   Sammanfattning : This compilation thesis details steps taken to develop and evaluate a new Sound Notation system for composition, analysis, and transcription with the capacity to describe all types of sound. Ideas from electroacoustic music analysis are combined with traditional notation to form a hybrid system. LÄS MER

7. 5. 'This heaving ocean of tones': nineteenth-century organ registration practice at St Marien, Lübeck

   Författare :Joachim Walter; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Hermann Jimmerthal 1809–1886 ; Karl Lichtwark 1859–1931 ; Felix Mendelssohn Bartholdy 1809–1847 ; Johann Friedrich Schulze 1793–1858 ; Edmund Schulze; Friedrich Ladegast 1818–1905 ; Lübeck St. Marien; Lübeck St. Aegidien; Schwerin Dom Cathedral ; German 19th century organ registration; orchestral registration style; registration analysis; romantic organ music; organ repertoire; organ transcription; organ building;

   Sammanfattning : The dissertation deals with German nineteenth-century registration practice with the example of St Marien, Lübeck. The time investigated covers almost one hundred years, from 1834 until 1929 and the tenures of two organists, Hermann Jimmerthal, a student of Mendelssohn, and Karl Lichtwark, a student of Jimmerthal. LÄS MER