Sökning: "Music Perception"

Visar resultat 16 - 20 av 40 avhandlingar innehållade orden Music Perception.

  1. 16. A Quantitative Rule System for Musical Performance

    Författare :Anders Friberg; Johan Sundberg; Giovanni Di Poli; KTH; []
    Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; music performance; expression; interpretation; rules; computer music; midi; jnd; time discrimination; locomotion; motion; listening experiment; perception; timing; phrasing; intonation; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER

  3. 17. Putting the Singing Voice on the Map : Towards Improving the Quantitative Evaluation of Voice Status in Professional Female Singers

    Författare :Anick Lamarche; Sten Ternström; Thomas Cleveland; KTH; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Voice Range Profile-Phonetogram-Singing voice-Performance-Clinical assessment-health-voice disorder-self-perception-proprioceptive feedback; INTERDISCIPLINARY RESEARCH AREAS; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN;

    Sammanfattning : Diagnostic and evaluative methods used in voice care are mostly designedfor the speaking voice, and are not necessarily directly applicable to thesinging voice. This thesis investigated the possibilities of fine tuning, improvingand quantifying the voice status assessment of the singer, focusingespecially on the Western operatic female voice. LÄS MER

  4. 18. On the beat : human movement and timing in the production and perception of music

    Författare :Sofia Dahl; Anders Askenfelt; David Huron; KTH; []
    Nyckelord :HUMANIORA; HUMANITIES; Music; Musikvetenskap;

    Sammanfattning : This thesis addresses three aspects of movement, performance and perception in music performance. First, the playing of an accent, a simple but much used and practiced element in drumming is studied, second, the perception of gradually changing tempo, and third, the perception and communication of specific emotional intentions through movements during music performance. LÄS MER

  5. 19. Music and risk in an existential and gendered world

    Författare :Margareta Bohlin; Soly Erlandsson; Emma Sorbring; Annika Dahlgren Sandberg; Berth Danermark; Högskolan Väst; []
    Nyckelord :MEDICIN OCH HÄLSOVETENSKAP; MEDICAL AND HEALTH SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Adolescents; Noise; Music; Risk taking behaviour; Gender; Existential theory; Hearing; Youth; Psychology; Psykologi; Adolescents; Youth; Hearing; Existential theory; Gender; Noise; Music; Risk taking behaviour;

    Sammanfattning : Adolescents in Western society often expose themselves to high levels of sound at gyms, rock concerts, discotheques etc. These behaviours are as threatening to young people’s health as more traditional risk behaviours. LÄS MER

  7. 20. Listening from within a Digital Music Archive : Metadata, Sensibilities, and Music Histories in the Danish Broadcasting Corporation's Music Archive

    Författare :Andreas Helles Pedersen; Musikvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Digital cultures; Digital archives; Metadata; Historiography; Aesthetics; Critical thinking; Music history; Infrastructure;

    Sammanfattning : This thesis examines how digital music archives can facilitate different versions of the history of recorded music. It argues that digital technologies and metadata enable coexisting historical narratives of recorded music that move across time and musical genre, and that can cross geographical and cultural space. LÄS MER