Sökning: "Music Perception"

Visar resultat 11 - 15 av 40 avhandlingar innehållade orden Music Perception.

  1. 11. Orchestrating timbre – Unfolding processes of timbre and memory in improvisational piano performance

    Författare :Magdalena Mayas; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; extended timbre; improvisation; composition; inside piano; prepared piano; listening; timbral memory; spatialization; gesture; choreography; musical perception; embodied musical performance; artistic research;

    Sammanfattning : This doctoral thesis presents how the orchestration of timbre is investigated from a performer’s perspective as means to “unfold” improvisational processes. It is grounded in my practice as a pianist in the realm of improvised music, in which I often use preparations and objects as extensions of the instrument. LÄS MER

  3. 12. Noise and music : a matter of risk perception

    Författare :Stephen E. Widén; Högskolan Väst; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Adolescents; Tinnitus; Noise sensitivity; Socio-economic status; Attitudes; Use of hearing protection; Risk behaviour; Risk-consideration; Self-image; Norms and Ideals; Psychology; Psykologi; Psychology; Psykologi; Adolescents; Tinnitus; Noise sensitivity; Socio-economic status; Attitudes; Use of;

    Sammanfattning : The prevalence of tinnitus and hearing impairments among adolescents seems to increase as a consequence of exposure to loud noise. Several studies have highlighted the negative auditory effects of exposure to loud music at concerts and discotheques, environments in which young people today spend considerable periods of time. LÄS MER

  4. 13. A Perspective Theory of Music Perception and Emotion

    Författare :Björn Vickhoff; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; perception-action theory; emotion; perspective; imagery; enhanced formalism source domains; target domains; music; cognition;

    Sammanfattning : In order to answer the question of why music moves us emotionally we need to understand the perception of music. A perspective theory is suggested. A perspective implies a frame of reference. This means that the perspective selects content - an implicit meaning. LÄS MER

  5. 14. Performance and perception of notational variants : a study of rhythmic patterning in music

    Författare :Bengt Edlund; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Music; Musikvetenskap;

    Sammanfattning : .... LÄS MER

  7. 15. Kurbits-ReBoot : svensk folksång i ny scenisk gestaltning

    Författare :Susanne Rosenberg; Heikki Laitinen; Hannu Saha; Johan Sundberg; Henrik Frisk; Kungl. Musikhögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; Folk song; stage presence; vocal performance studies; performance; variation; improvisation; flow; interpretation; artistic research; folk hymns; ballads; folk vocal styles; herding calls; kulning; folksång; scenisk gestaltning; musikupplevelse; performans; variation; improvisation; flow; interpret; interpretation; konstnärlig forskning; folkliga koraler; ballader; sångsätt; kulning;

    Sammanfattning : This artistic research project is an explorative study in new forms of expression of Swedish folk singing in a scenic context, exploring expressive qualities in traditional Swedish folk song from the point of view of the folk singer as a creative performer. The fundamental research question is how, in a scenic context, can space be given to what is a characteristic quality of traditional folk song, namely creative interpretation in the moment, through variation and improvisation using the song as a concept rather than a fixed work. LÄS MER