Sökning: "Music Criticism"
Visar resultat 1 - 5 av 18 avhandlingar innehållade orden Music Criticism.
1. Rap(p) i käften : Hiphopmusikers konstnärliga och pedagogiska strategier
Sammanfattning : Title: Verbally fa(s)t. Hip-hop Musicians' artistic and educational strategies. During the last decade there has been an awakening interest in concidering not only the formalised learning situations within institutional settings, but also all forms of learning that goes on in informal musical learning practices outside schools. LÄS MER
2. Vocal Figurations : Technique, Technology, and Mediation in the Gendering of Voice in Twenty-First-Century Pop Music
Sammanfattning : This thesis examines the gendering of voice in twenty-first-century pop music and music criticism through the concept of vocal figurations. Embodying a thoroughly relational understanding of voice, it articulates vocal technique, studio technology, and electronic mediation as three primary dimensions through which voices come to signal gender as it intersects with other vectors of social identity. LÄS MER
3. Borgerlighetens teater. Om verksamhet, musiker och repertoar på Mindre Teatern i Stockholm 1842-63
Sammanfattning : The years around the middle of the nineteenth century were a time of change in Swedish politics, commerce and industry. The press became very influential in the debate, including the issue of the theatre and its role in society. LÄS MER
4. Cultivating the Sacred : Ritual Creativity and Practice among Women in Contemporary Europe
Sammanfattning : Ritual creativity may seem like a contradiction in terms, yet the religious landscape in contemporary Euro-America is permeate with experimentation of ritual forms, different modalities of action, imagination and play as routes to authenticity. The present study examines different settings in Europe involved in such ritual creativity, which would commonly be classified as postmodern spirituality, new age or Paganism. LÄS MER
5. Rousseau's Idea of Theatre : From Criticism to Practice
Sammanfattning : As a critic of the moral consequences of Parisian theatre while writing plays and music for it, Jean-Jacques Rousseau (1712-1778) had a double relationship to the art form of theatre. This doctoral thesis argues that his seemingly double position towards the theatre is not necessarily contradictory. LÄS MER
