Sökning: "Montage-- film"

Visar resultat 1 - 5 av 7 avhandlingar innehållade orden Montage-- film.

  1. 1. Early Discourses on Colour and Cinema : Origins, Functions, Meanings

    Författare :Eirik Frisvold Hanssen; Astrid Söderbergh Widding; Eva Jørholt; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; colour film; film history; film theory; film technology; film aesthetics; indexicality; intermediality; colour and sound; catalogue; Kinemacolor; Sergei M. Eisenstein; Film; Filmvetenskap;

    Sammanfattning : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. LÄS MER

  3. 2. The World in Pieces : A Study on Compilation Film

    Författare :Patrik Sjöberg; Karlstads universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historiography; collage; museum; montage; archive; quotation; fragment; repetition; recycling; taxidermy; Filmvetenskap; Film Studies;

    Sammanfattning : .... LÄS MER

  4. 3. Bildets oppløsning : filmens bevegelse i historisk og teoretisk perspektiv

    Författare :Trond Lundemo; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Godard; Jean-Luc; 1930-; Welles; Orson; 1915-1985.; Eisenstein; Sergej; 1898-1948; Filmteori; Kinematograf; Montage; Montage-- film;

    Sammanfattning : .... LÄS MER

  5. 4. Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81

    Författare :Atene Mendelyte; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; U.S. avant-garde film; Gilles Deleuze; film-philosophy; sobjective image; metaphysics of technique; conceptual cartography of film-worlds; transcendental empiricism; film semiotics; postmodernism;

    Sammanfattning : The aim of this dissertation is to investigate a number of U.S. avant-garde films using Deleuzian film-philosophy in order to describe their thought. I develop the taxonomy of cinematic images created by the French philosopher Gilles Deleuze by introducing a new type of image. LÄS MER

  7. 5. Skuggan av ett leende : om filmisk ironi och den ironiska berättelsen

    Författare :Örjan Roth-Lindberg; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Ironi; Film; Berättarkonst;

    Sammanfattning : In Shadow of a Smile the discourse of irony is brought to a new Field: irony as visual narrative devices and as interactions of verbal and visual elements in film and TV structures. The discussion, which puts forward several new definitions, is based throughout on examples from a central core of cinematic material, e.g. LÄS MER