Sökning: "Marta Edling"

Visar resultat 6 - 10 av 10 avhandlingar innehållade orden Marta Edling.

  1. 6. Konst i omlopp : mening, medier och marknad i Stockholm under 1700-talets senare hälft

    Författare :Sonya Petersson; Margaretha Rossholm-Lagerlöf; Marta Edling; Katja Tollmar Grillner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art; fine arts; concepts; definitions; media culture; intermediality; cultural consumption; cultural market; class; press; encyclopaedias; prints; exhibitions; auctions; aesthetics; perception; pleasure; entertainment; knowledge; luxury; body and soul; konst; sköna konster; begrepp; definitioner; mediekultur; intermedialitet; kulturkonsumtion; kulturmarknad; klass; press; encyklopedier; grafik; utställningar; auktioner; estetik; perception; behag; nöje; kunskap; lyx; kropp och själ; konstvetenskap; Art History;

    Sammanfattning : The aim of this doctoral thesis is to explore how art was mediated and given meaning in the environment of an urban media culture in Stockholm during the second part of the 18th century. It comprises studies of how art was distributed on the market, how it was discussed in the press and how it was exhibited in public. LÄS MER

  2. 7. De svenska städernas begravningsplatser 1770-1830 : Arkitektur, sanitet och det sociala rummet

    Författare :Hedvig Schönbäck; Carina Jacobsson; Anders Åman; Marta Edling; Tomas Björk; Uppsala universitet; []
    Nyckelord :Art history; architecture; cemetery design; town planning; garden design; sanitation; social history; Board of Public Works and Buildings; Konstvetenskap; Överintendentsämbetet;

    Sammanfattning : The second half of the eighteenth and beginning of the nineteenth centuries meant a reform of burial practice across Europe. Urban graveyards were criticised as unsanitary and socially deficient and the authorities therefore urged towns to establish cemeteries on the urban periphery. LÄS MER

  3. 8. Skulptur i folkhemmet : Den offentliga skulpturens institutionalisering, referentialitet och rumsliga situationer 1940-1975

    Författare :Jessica Sjöholm Skrubbe; Hans Hayden; Marta Edling; Jan von Bonsdorff; Håkan Nilsson; Uppsala universitet; []
    Nyckelord :Art history; sculpture 20th century; public art; institutionalisation; the Swedish National Public Art Council; referentiality; meaning production; sitelessness; site-specificity; gender; ideology; modernism; the Swedish welfare state; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This thesis focuses on public sculpture in Sweden 1940–1975. The principal aim is to present a representative picture of the phenomenon of public sculpture and to analyse its institutional prerequisites and meaning production, as well as examine how it operates in public space. LÄS MER

  4. 9. In Search of the Pure Photograph : A Historiographic Study of the Farm Security Administration, Walker Evans, and the Survey Histories of Photography

    Författare :Cecilia Strandroth; Marta Edling; Jan von Bonsdorff; Karin Becker; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Art history; photography; historiography; documentary; history of photography; Farm Security Administration; Walker Evans; propaganda; modernism; media specificity; photographic archives; Konstvetenskap; History Of Art; konstvetenskap; Art;

    Sammanfattning : The photographic archive of the American New Deal agency Farm Security Administration (created 1935-1943) occupies an important place in the history of photography as an exemplar of documentary photography and as symbol of the Great Depression. This dissertation is a historiographic study of this narrative of FSA photography, which investigates the archive's monumental position in the historical narration and demonstrates other possible readings. LÄS MER

  5. 10. Barbro Östlihn och New York : Konstens rum och möjligheter

    Författare :Annika Öhrner; Hans Hayden; Jan von Bonsdorff; Marta Edling; Maria Hirvi-Ijäs; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Barbro Östlihn; post war art history; American post war art history; Swedish art history; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Barbro Östlihn; post World War II Art History; American post World War II art; Swedish Art History; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. LÄS MER