Sökning: "Mainstream and counterpoint"

Hittade 2 avhandlingar innehållade orden Mainstream and counterpoint.

  1. 1. Misplaced Concreteness and Concrete Places : Critical Analyses of Divergent Discourses on Sustainability

    Författare :Carina Borgström Hansson; Humanekologi; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; econometrics; Economics; Mainstream and counterpoint; Discourse; Place; Adaptive management; Genuine savings; Ecological footprint; Ecological economics; Bioregionalism; Sustainability; Environmental economics; Human ecology; Misplaced concreteness; economic theory; economic systems; economic policy; Nationalekonomi; ekonometri; ekonomisk teori; ekonomiska system; ekonomisk politik;

    Sammanfattning : This dissertation critically examines the tension between mainstream and counterpoint perspectives on sustainability on the basis of analyses of four approaches to this issue: environmental economics, ecological economics, adaptive management, and bioregionalism, which are presented as successive attempts to challenge mainstream, modernist perspectives on socio-ecological relationships. The different worldviews and identity constructions associated with the two extremes in this spectrum of approaches are examined on the basis of interviews with environmental economists and bioregionalists in California. LÄS MER

  2. 2. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Författare :Sverker Jullander; Göteborgs universitet; Göteborgs universitet; Gothenburg University; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER