Sökning: "Libretto"

Visar resultat 1 - 5 av 11 avhandlingar innehållade ordet Libretto.

1. 1. Textens Transfigurationer

   Författare :Jonas Forssell; Karin Helander; Anders Wiklund; Lunds universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; ”think aloud”-studies; hermeneutics; artistic research; script; opera; musical dramaturgy; libretto; translation; composing; screen writing; Libretto; Artistic practices;

   Sammanfattning : This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the author’s thirty years of professsional practice, in the spirit of Donald A. Schön’s study from 1983: The Reflective Practitioner; How professionals think in action. LÄS MER

3. 2. Levandegörandets poetik : På spaning efter musikdramat Gränsland och transformationen av dramat via text, vokalt och instrumentalt agerande

   Författare :Kerstin Perski; Kristina Hagström-Ståhl; Bengt Bok; Sten Sandell; Stockholms konstnärliga högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; opera; libretto; music and text; dramaturgy; music drama; cross-border methods; collaborative processes; reciprocal processes; sketches; phenomenological method; intentionality; common intentionality; emotional figured bass; the terrain map; physical poetry; vocal acting; instrumental acting; synergy; synesthetic connections; the transformation navigator; the third image; emotional gesticulation; emotional enrichment; I–Thou; I–It; opera; libretto; text; dramaturgi; musikdramatik; transformation; gränsöverskridande metoder; kollaborativa processer; reciproka processer; skisser; fenomenologisk metod; intentionalitet; gemensam intentionalitet; känslomässig generalbas; terrängkartan; fysikalisk poesi; vokalt agerande; instrumentalt agerande; synergi; synestetiska samband; transformationsvägvisare; den tredje bilden; emotionell gestikulation; emotionell anrikning; Jag–Du; Jag–Det; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

   Sammanfattning : From the librettist’s perspective, the traditional working methods which tend to dominate in the creation of new music drama, often result in a situation where the initial intentions are lost along the way. How can we get away from a rigid methodology, where the different professionals involved in the creation of new music drama have to succumb to a procedure which can be likened to a whispering game? A procedure, where the dramatic content, rather than undergoing an emotional enrichment in its transformation into music, often loses the crucial connections to the initial intentions. LÄS MER

4. 3. Franz Berwalds Estrella de Soria : Verkhistorik. Källor. Edition av libretto och överblivna nottexter

   Författare :Erling Lomnäs; Per Erik Brolinson; Anders Wiklund; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Music; Musikvetenskap;

   Sammanfattning : The first step of the creation of Estrella de Soria ended in Vienna in 1841, with the finishing of an opera entitled “Estrella di Soria”. Major parts of this opera probably had been composed already in Berlin in the years before. An Austrian dramatist, Otto Prechtler, could offer Berwald a libretto suiting him. LÄS MER

5. 4. Libretto im Progress. Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht

   Författare :Esbjörn Nyström; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES;

   Sammanfattning : x.... LÄS MER

7. 5. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes

   Författare :Elisabeth Belgrano; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; voice; singing; nothingness; je-ne-sais-quoi; 17th century opera; pure voice; lamentation; madness; passions; emotions; nightingale; transformation; ornamentation; observation; improvisation; interpretation; vocal expression; embodiment; creative process; performance; repetition; movement; inner images; artistic research;

   Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER