Sökning: "Lars-Olof Åhlberg"
Visar resultat 6 - 9 av 9 avhandlingar innehållade orden Lars-Olof Åhlberg.
6. Identical, But Still Different : On Artistic Appropriation in Visual Art
Sammanfattning : In this dissertation about artistic appropriation I acknowledge that something indeed has happened in art. Visual art does not have to look in any special way anymore, or have historically validated content that can be visually grasped. Within this precondition artistic appropriation is situated. LÄS MER
7. Att uttrycka det undanträngda : Theodor W. Adorno om konst, natur och sanning
Sammanfattning : This thesis examines a central, but neglected aspect of the aesthetic theory of Theodor W. Adorno, namely his notion of art as mediator between mankind and nature. The analysis focuses on Adorno's discussion of art's truth content, understood here as art's ability to give voice to nature as it has been subjugated by the growth of civilization. LÄS MER
8. Mimesis as the Representation of Types : The Historical and Psychological Basis of an Aesthetic Idea
Sammanfattning : This work attempts to investigate a long-standing tradition within the history of aesthetics according to which the function of pictorial representation consists, or ought to consist, of the rendering of general or idealized types rather than particulars. Proponents of this view may be found in various versions from antiquity to the present. LÄS MER
9. Ars inventrix : En studie av Friedrich von Hardenbergs (Novalis') paraestetiska projekt
Sammanfattning : This dissertation is divided into three sections, and treats three essential ideas in the philosophical notes of Friedrich von Hardenberg (also known as Novalis): 1) the critique of the foundationalist tendency in the systematic philosophy of idealism and the development of a “logological” perspective on philosophy, language and art; 2) the formation of a romantic philosophy based on a theory of experimentation and invention; and 3) the creation of a universal encyclopaedia in order to explicate the inner unity of all sciences and arts. Taken together, these three ideas constitute a theory of creativity and inventiveness in Man that no longer serves as a theory of art or poetry proper. LÄS MER