Avancerad sökning

Hittade 5 avhandlingar som matchar ovanstående sökkriterier.

  1. 1. Skulptur i folkhemmet : Den offentliga skulpturens institutionalisering, referentialitet och rumsliga situationer 1940-1975

    Författare :Jessica Sjöholm Skrubbe; Hans Hayden; Marta Edling; Jan von Bonsdorff; Håkan Nilsson; Uppsala universitet; []
    Nyckelord :Art history; sculpture 20th century; public art; institutionalisation; the Swedish National Public Art Council; referentiality; meaning production; sitelessness; site-specificity; gender; ideology; modernism; the Swedish welfare state; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This thesis focuses on public sculpture in Sweden 1940–1975. The principal aim is to present a representative picture of the phenomenon of public sculpture and to analyse its institutional prerequisites and meaning production, as well as examine how it operates in public space. LÄS MER

  2. 2. Konstnärliga projekt & experiment : Beviljade projektbidrag ur Sveriges bildkonstnärsfond 1976-2007

    Författare :Anna Brodow Inzaina; Marta Edling; Jan von Bonsdorff; Jessica Sjöholm Skrubbe; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; artist project; project subsidy; experimental art; 20th century Swedish art; contemporary art; arm length principle; artistic policy; culture democracy; artistic autonomy; artistic research; Pierre Bourdieu; Konstvetenskap; History of Art;

    Sammanfattning : This thesis is about a state-funded artist subsidy granted to visual artists and intended for costly artwork and projects. The project subsidy with its administrative framework is to be found in the intersection between the artistic and political fields. LÄS MER

  3. 3. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  4. 4. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

    Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

    Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER

  5. 5. Becoming Artists : Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s

    Författare :Carina Rech; Sabrina Norlander Eliasson; Jessica Sjöholm Skrubbe; Martin Olin; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Nordic art; nineteenth-century art; women artists; self-portrait; portraiture; friendship; studio; collaboration; emulation; letters; epistolary; self-fashioning; feminist art history; Opponents; Salon; Julia Beck; Hanna Hirsch-Pauli; Bertha Wegmann; konstvetenskap; Art History;

    Sammanfattning : The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior. It investigates how artistic identity is fashioned through self-representation, collaboration with a colleague and in interaction with the interior of the studio as a constitutive space of artistic professionalism. LÄS MER