Sökning: "Jan-gunnar Sjölin"

Hittade 2 avhandlingar innehållade orden Jan-gunnar Sjölin.

  1. 1. Den surrealistiska erfarenheten: Upplevelsen. En tolkning av surrealismens åskådning

    Författare :Jan-Gunnar Sjölin; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; the future; absence of direct communication. Experience of presence: surprise; transparency; derangement of the senses; unimpeded experience; Experience of absence: waiting and anticipation; being a stranger in front of one s own work; the unknown; the absurd; the new; incomprehensibility; le jamais vu ; absence of expression; special meaning. Experience of latent or hidden meaning: meaning as unknown; special order and logic; the unaccountable reactions; as latent; experience of fear; as unconscious; obstacles to the experience of manifest meaning; absence of latent or hidden meaning; as hidden; mystery versus mystification; nature of special meaning; symbolism. Experience of meaning as manifest: enigmas; the inaccessible and the inexpressible. True experience of meaning: the golden age; manifest nature of meaning; immaculate experience; privileged moments; preconditions of true experience; illumination; revelation;

    Sammanfattning : The purpose of the study is to offer an interpretation of surrealism as lived experience or, more exactly, an interpretation of the ways in which the Surrealists themselves respond to and conceive of this experience. Thus, emphasis is put on surrealism as event and process, not as a historically limited phenomenon. LÄS MER

  3. 2. Burkkänslan : surrealism i Christer Strömholms fotografi : en undersökning med semiotisk metod

    Författare :Anders Marner; Roland Spolander; Henning Hansen; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Art history; semiotics; cultural semiotics; visual semiotics; photography; semiotics of photography; surrealism; surrealist photography; rhetoric; photographic rhetoric; Art; Konstvetenskap; konstvetenskap; History Of Art;

    Sammanfattning : This dissertation is mainly concerned with the photography of Christer Strömholm. In studying his work semiotics is used as a method in analysing the rhetoric of his photographs and their relations to the photographic world, the artworld and the lifeworld. LÄS MER