Sökning: "Interactive art"

Visar resultat 6 - 10 av 52 avhandlingar innehållade orden Interactive art.

  1. 6. Förvandlingar i vikingatidens djurornamentik : Del 1 : En multiperspektivisk studie om figurknoppspännen av Birkatyp

    Författare :Michael Neiß; Christoph Kilger; Frands Herschend; Ingmar Jansson; Elna Siv Kristoffersen; Uppsala universitet; []
    Nyckelord :3D laser scanning and modeling. Animal Art. Birka type brooches. Cognitive archaeology. Dynamic typology. Iconology. Informed grounded theory. Metalworking. Multimodal semiotics. Scaldic ekphrasis. Viking Studies; 3D laserskanning och -modellering. Djurornamentik. Dynamisk typologi. Ikonologi. Informerad grundad teori. Kognitiv arkeologi. Metallhantverk. Multimodal semiotik. Skaldisk ekfras. Spännen av Birkatyp. Vikingatidsstudier.; Archaeology; Arkeologi; Konstvetenskap HGO ; Art History HGO ; Konstvetenskap; History of Art; Religionshistoria; History of Religions; Scandinavian Languages; Nordiska språk;

    Sammanfattning : During the past 150 years, different generations of scholars have been approaching Scandinavian Animal Art with queries that were as multifaceted as the materials that they studied. The focal point of this study are Birka type brooches, which are best likened to interactive sculptures that change shape as the viewer changes perspec­tive. LÄS MER

  3. 7. Supporting human interpretation and analysis of activity captured through overhead video

    Författare :Mario Romero; Gregory Abowd; Georgia Institute of Technology; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Ubiquitous computing; Information visualization; Computer vision; User studies; Human-computer interaction; Interactive art; Performance art; Human-computer Interaction; Människa-datorinteraktion;

    Sammanfattning : Many disciplines spend considerable resources studying behavior. Tools range from pen-and-paper observation to biometric sensing. A tool's appropriateness depends on the goal and justification of the study, the observable context and feature set of target behaviors, the observers' resources, and the subjects' tolerance to intrusiveness. LÄS MER

  4. 8. Monsters I Love : On Multivocal Arts

    Författare :Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; Performative and media based practices; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Sammanfattning : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. LÄS MER

  5. 9. Schnittstelle Vernissage : Die Besucher als Wegbereiter und Multiplikatoren zeitgenössischer Kunst

    Författare :Angela Sjölander-Hovorka; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Galleries; Openings; Contemporary art; RecepLion; Interactive networks; Legitimization; Avantgarde distinctions; INTERDISCIPLINARY RESEARCH AREAS; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN;

    Sammanfattning : How does art become Art? What is it that actually happens when a work of art is presented, as such, at an opening and gets accepted as Art? Who arc the actors, the decision makers, how do they interact, how does the self-structuring, selfgenerating, intricate system work that governs the interface between art and non-art? What is the importance and influence of the artists, the gallery owners, the art writers in journals and newspapers, the mass media, the visitors to the openings?Research in this area has so far mostly concerned art preferences, or the function of art as a social distinction marker. But the process through which the decision is made whether a particular object is accepted as art, - or rejected as such - has received much less attention. LÄS MER

  7. 10. Interaktiva medier i komplex försäljning : en kunskapsresa som tog en annan väg

    Författare :Inger Stjernqvist; Nils Enlund; Inger Orre; KTH; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Datavetenskap; Datavetenskap; medieteknik; grafisk produktion; Computer science; Datavetenskap;

    Sammanfattning : This investigation was carried out at the Royal Institute of Technology (KTH) in Stockholm. The main goals were to investigate the professional skills of sales personnel working with complex selling in technology- based companies and to inquire into the potential and limitations of supporting their day-to-day work through the use of interactive media and media services. LÄS MER