Sökning: "Humanities Arts"

Visar resultat 6 - 10 av 1955 avhandlingar innehållade orden Humanities Arts.

  1. 6. Textens Transfigurationer

    Författare :Jonas Forssell; Karin Helander; Anders Wiklund; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; ”think aloud”-studies; hermeneutics; artistic research; script; opera; musical dramaturgy; libretto; translation; composing; screen writing; Libretto; Artistic practices;

    Sammanfattning : This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the author’s thirty years of professsional practice, in the spirit of Donald A. Schön’s study from 1983: The Reflective Practitioner; How professionals think in action. LÄS MER

  2. 7. Wild Poethics - Exploring relational and embodied practices in urban-making

    Författare :Anna Maria Orrù; Chalmers tekniska högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; choreography; urban-making; naturecultures; critical spatial feminist practice; imagination; embodied methodology; poethics; affective atmospheres; relational assemblages; artistic research;

    Sammanfattning : Nature is not something separated from the city. With this in mind, this research emerges from the act of urban gardening, staging space for naturecultures that reinforce a direct relation to an urban nature. LÄS MER

  3. 8. Studies on Fantasmical Anatomies

    Författare :Anne Juren; André Lepecki; Sandra Noeth; Victoria Perez Royo; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Choreography; Feldenkrais Method®; anatomy; fantasmical; speculative gestures; somatic practices; dislocation; dissection; dissociation; treatment; operation; fragmentation; blind gaze; non-expression; dance; movement; language; poetry; voice; touch; Foley; psychoanalysis; crisis; encounter; critical awareness; sensorial transference; co-regulation; body proxy; trans-interiority; symptom; practitioner; patient; session; lesson; L’Effet-Mère; mother tongue; very too close; very too far; diffraction; dérive drift ; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Sammanfattning : Studies on Fantasmical Anatomies is an ongoing transdisciplinary artistic research, which encompasses the spectrum of experiences and practices that I have developed as a choreographer, dancer and Feldenkrais practitioner. My interest in anatomy and somatic practices grew out of multiple shoulder dislocations. LÄS MER

  4. 9. Circoanalysis : Circus, Therapy and Psychoanalysis

    Författare :John-Paul Zaccarini; Lena Hammergren; Ana Sanchez-Colberg; Helen Stoddart; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Circus; Psychoanalysis; Pedagogy; Therapy; Freud; Klein; Winnicott; Lacan; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; teatervetenskap;

    Sammanfattning : There is an object/artefact of circus and a subject/process that makes it. This research considers the subject of the circus-making in order to bring it to the foreground of future discussions about pedagogy, practice and production. LÄS MER

  5. 10. Skådespelaren i handling : Strategier för tanke och kropp

    Författare :Kent Sjöström; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Acting; Embodied Knowledge; Cognitive Strategies; Intentionality; Stanislavsky; Michael Chekhov; Performing Arts; Theatre Education; Physical Action; Humanities; Konstnärligt arbete; Stanislavsky; Michael Chekhov; Bertolt Brecht; Humaniora;

    Sammanfattning : In the thesis, that has its basis in my educational work at Malmö Theatre Academy, I discuss how actors in training solve the problem of embodying the role ? how they, from their ideas, feelings, thoughts and knowledge create the physical actions of the role. My discussion has its basis in how the training in acrobatics can form a sort of model for the strategies needed by the actor to perform on stage. LÄS MER