Sökning: "History of Art"

Visar resultat 16 - 20 av 542 avhandlingar innehållade orden History of Art.

  1. 16. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  2. 17. Fem ödekyrkor i Norrland : kyrklig förnyelse, kulturminnesvård och kyrkorestaureringar vid 1900-talets början

    Författare :Anna Elmén Berg; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Restoration of Churches; Preservation of Cultural Monuments; The Young Church movement; Sigurd Curman; Nathan Söderblom; Erik Salvén;

    Sammanfattning : The new church of Ytterlännäs, a large Neo-Classical sermon church, was consecrated in 1854. The old, medieval church was far too small to house the growing number of visitors. It was therefore abandoned, but managed to be spared from demolition. LÄS MER

  3. 18. Om måleriet i den klassicistiska konstteorin : Praktikens teoretiska position under 1700-talets andra hälft

    Författare :Marta Edling; Torsten Weimarck; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Classicist art theory; eighteenth century; painting; practice and manual execution vs. mental creativity; material form and intellectual content of the art object; the hierarchy of genres; national schools of painting.; konstvetenskap; Art History; Art; Konstvetenskap;

    Sammanfattning : The character of the manual execution and material form of the art object were ascribed little value in the classicist theory of art. The practical act of painting was associated with handicraft and routine. LÄS MER

  4. 19. Landskapets röster : Studier i Elias Martins bildvärld

    Författare :Mikael Ahlund; Hedvig Brander Jonsson; Emilie Karlsmo; Sten Åke Nilsson; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Landscape painting; 18th century Swedish art; 18th century British art; 18th century Sweden; Gustav III; art markets; travel writing; word image.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : This thesis is about the Swedish landscape painter Elias Martin (1739-1818). The main interest is in his depictions of nature, landscape images and topographical views. Chronologically, it covers the period 1760 to 1810. LÄS MER

  5. 20. Former av politik : Tre utställningssituationer på Moderna Museet 1998-2008

    Författare :Anna Lundström; Margaretha Rossholm Lagerlöf; Charlotte Bydler; Anna Tellgren; Eva Zetterman; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art exhibition; art institution; the political; implied spectator; reception aesthetics; Moderna Museet; 1990s; 2000s; contemporary art; new institutionalism; Jacques Rancière; Mieke Bal; Pontus Hultén Study Gallery; Moderna Museet Projekt; Janet Cardiff; konstvetenskap; Art History;

    Sammanfattning : This study examines the concepts of art, politics and art institution departing from three cases of exhibition situations at Moderna Museet in Stockholm, 1998–2008. The cases are considered in relation to different aspects of the museum’s identity as an art institution. LÄS MER