Sökning: "Historia och film"
Visar resultat 21 - 25 av 43 avhandlingar innehållade orden Historia och film.
21. DEN FÖRSVUNNA HISTORIEN. Förintelsen i tjeckisk och slovakisk historiekultur
Sammanfattning : The main focus of this study is the place of the Holocaust in the Czech and Slovak historical cultures during ”the long 1990s”, i.e. between the fall of the Communist regime in Czechoslovakia at the end of 1989 and the entry of both the Czech and Slovak Republics into the European Union in 2004. LÄS MER
22. A Poetics of Virtuality
Sammanfattning : How is virtuality represented in fiction, and what does that say about our anticipations and fears about what the virtual is and will be? This text, a poetics of virtuality, explores fictional representations of virtuality, primarily in movies and literature, but also in media productions done by the author. The aim is to study the dream of virtuality. LÄS MER
23. En jude är en jude är en jude- : representationer av "juden" i svensk skämtpress omkring 1900-1930
Sammanfattning : In this dissertation it is argued that anti- Semitism was self evident in Sweden at the turn of the century 1900. Through an analysis of the comic press, which was a crucial element in mass culture and political life, the author tries to demonstrate how the everyday version of a national Swedish identity was constructed in opposition to 'The Jew'. LÄS MER
24. Eldens återsken : Första världskriget i svensk föreställningsvärld
Sammanfattning : Reflections of Fire. Images of the First World War in Sweden This thesis investigates the cultural impact of the First World War in Sweden, and how it shaped Swedish images and narratives about war and neutrality from 1914 to 1935. In line with Paul Fussell, George L. LÄS MER
25. Film och historia. Historisk Hollywoodfilm 1960-2000
Sammanfattning : The hypothesis put forward in this thesis stipulates that films always say more of empirical value about the time in which they are produced than they do about the periods they depict. The aim is not only to prove that such an idea is valid, but also that it might be transformed into a new and applicable theory in studies of film and history. LÄS MER