Sökning: "Henri Bergson"

Hittade 3 avhandlingar innehållade orden Henri Bergson.

  1. 1. Det intuitiva livet : Hans Larssons vision om enhet i en splittrad tid

    Författare :Gunnar Matti; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of science and ideas; intuition; discursion; art science; Ola Hansson; division unity; opposites; philosophy of life; organicism; rationality irrationality; logic; mysticism; Henri Bergson; social advancement; identity; utopia; home; community; Idé- och lärdomshistoria; History of science and ideas; Idé- o lärdomshistoria; idé- och lärdomshistoria; History Of Sciences and Ideas;

    Sammanfattning : This study concerns the Swedish philosopher, Hans Larsson (1862-1944), who was also known as a writer, educator and cultural figure. The book concentrates on Larsson's philosophy of intuition, which is of central importance in his thinking as a whole. LÄS MER

  3. 2. An anagram of the ideas of filmmaker Maya Deren : creative work in motion pictures

    Författare :Moira Sullivan; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Deren; Maya; 1917-1961; Kvinnliga filmregissörer; Experimentfilm; USA;

    Sammanfattning : Maya Deren’s corpus of work, which has been given various designations within the American avant-garde filmmaking practice of the 1940’s and 1950’s, will be analysed according to the biographical legend—an approach that focuses on authorship within the historical conditions of conception and reception. Influences on her theories in art and ethnography will be noted through several historical discourses: the French Symbolist Poets, Henri Bergson, Kurt Koffka, T. LÄS MER

  4. 3. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932

    Författare :Margareta Tillberg; Jeff Werner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Colour vision; Russian avant-garde; Mikhail Matiushin; Elena Guro; Ender siblings; art; science; laboratory observations; colour practices; colour theory; synaesthesia; dialectical materialism; Stalin; culture; universal language; architecture; design; Matjušin; Michail Vasilʹevič; 1861-1934; Experimentell konsthistoria Sovjetunionen 1930-talet; Färglära historia Sovjetunionen 1930-talet; Art; Konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. LÄS MER