Sökning: "Hans Hayden"

Visar resultat 6 - 10 av 11 avhandlingar innehållade orden Hans Hayden.

  1. 6. Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman

    Författare :Magdalena Holdar; Margaretha Rossholm-Lagerlöf; Hans Hayden; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; scenography; set design; theatre design; performance studies; scenography analysis; theatre space; Ingmar Bergman; Art; Konstvetenskap;

    Sammanfattning : Developments in technology and new aesthetic idioms in the past decades have changed the preconditions for the scenographer’s work in the theatre. Therefore, it has become problematic indeed to describe scenography as the sum of costume and set, although this continues to be the common definition of the concept. LÄS MER

  3. 7. The G-Word : Virtuosity and Violation, Negotiating and Transforming graffiti

    Författare :Jacob Kimvall; Magdalena Holdar; Hans Hayden; Håkan Nilsson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Graffiti; Graffiti Art; Street Art; Berlin Wall; Zero Tolerance; Hip-Hop; Art Institutions; Nolltolerans; Art History; Visual Analysis; konstvetenskap; Art History;

    Sammanfattning : Contemporary public discussions on graffiti are characterized by co-existence of contradictory claims. On the one hand graffiti is described as vandalism, and on the other as an artistic movement. LÄS MER

  4. 8. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  5. 9. Formens frigörelse : Konsthantverk och design under debatt i 1960-talets Sverige

    Författare :Cilla Robach; Jan von Bonsdorff; Hans Hayden; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Applied Art Arts and Crafts; Design; Form; Debate; 1960s; Sweden; Swedish Society of Industrial Design; Svenska Slöjdföreningen; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : This thesis explores a relatively unknown phenomenon in the design world. Here, the term den fria formen [the free form] is introduced as an analytical tool to narrow down this phenomenon, which was to be found in arts and crafts. The free form emerged in the 1950s, blossomed in the 1960s and lost in importance in the first half of the 1970s. LÄS MER

  7. 10. Skulptur i folkhemmet : Den offentliga skulpturens institutionalisering, referentialitet och rumsliga situationer 1940-1975

    Författare :Jessica Sjöholm Skrubbe; Hans Hayden; Marta Edling; Jan von Bonsdorff; Håkan Nilsson; Uppsala universitet; []
    Nyckelord :Art history; sculpture 20th century; public art; institutionalisation; the Swedish National Public Art Council; referentiality; meaning production; sitelessness; site-specificity; gender; ideology; modernism; the Swedish welfare state; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This thesis focuses on public sculpture in Sweden 1940–1975. The principal aim is to present a representative picture of the phenomenon of public sculpture and to analyse its institutional prerequisites and meaning production, as well as examine how it operates in public space. LÄS MER