Sökning: "Högskolan för design och konsthantverk Göteborgs universitet"
Visar resultat 1 - 5 av 19 avhandlingar innehållade orden Högskolan för design och konsthantverk Göteborgs universitet.
1. Design for Service: A framework for articulating designers’ contribution as interpreter of users’ experience
Sammanfattning : During the past approximately 15 years designers have paid increasing attention to service and changes in our society, resulting in a new design discipline – service design. In parallel, designers’ contributions to service development and innovation have been brought forward, often emphasizing designers’ capability of involving users, acting in and through multidisciplinary teams and using visualization skills in these situations. LÄS MER
2. Meaning in the Making: Introducing a Hermeneutic Perspective on the Contribution of Design Practice to Innovation
Sammanfattning : In recent years interest has grown in how design can contribute to innovation in business and society, such as through the management concept of design thinking. However, up-close studies on design’s contribution to innovation are still scarce. LÄS MER
3. Service Design : a conceptualization of an emerging practice
Sammanfattning : Service design is an emerging design practice with an interdisciplinary heritage. Most previousresearch has been based on what service designers do; with the increased academic interestin service design over the past decade, the time has come to conceptualize the underlyingdiscourses. LÄS MER
4. Devices. On Hospitality, Hostility and Design
Sammanfattning : This thesis studies and speculates upon the interrelations of artefacts with human and nonhuman agents. These interrelations form assemblages, some of which have emergent properties, becoming manifestations of processes that we cannot fully control or understand. LÄS MER
5. Lerbaserad erfarenhet och språklighet
Sammanfattning : During the course of the twentieth century, a doubt emerged – first within visual arts, and later also within crafts – where the relevance of the traditional way of making art was addressed, as were thoughts on what was termed ‘empty shape’. The notion that shape in itself was no longer artistically valid is closely linked to notions of materiality as hindrance, and immateriality as freedom – all of which have had a major influence on contemporary visual arts and crafts, in general, and, more specifically, on what I term ‘theory-practice’ within the field of crafts. LÄS MER