Sökning: "Genre film"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden Genre film.

1. 1. Hellraiser : om Clive Barkers film

   Författare :Anna Arnman; Lars Gustaf Andersson; Bo Florin; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Monstrous; Aesthetics; Cenobites; Sexuality; Family; House; Religion; 80´s horror films; Humanities; Humaniora; Konstvetenskap; Art History; Allmän och jämförande litteraturvetenskap; Genre; General and comparative literature; Horror; Body; Horror; Film; Film Studies;

   Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER

3. 2. Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television

   Författare :Josefine Wälivaara; Per Ringby; Christina Svens; Stacey Abbott; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Science fiction; film; television; genre; sexuality; queer; storytelling; gender; subversive; intelligibility; Torchwood; Firefly; Star Wars; Star Trek; adult turn; Star’verses; dramaturgy; heteronormativity; film history; Hollywood; Literature; litteraturvetenskap;

   Sammanfattning : The aim of the thesis is to explore depictions of sexuality in popular science fiction film and television through a focus on storytelling, narrative, characters and genre. The thesis analyses science fiction as a film and television genre with a focus on the conventions, interpretations, and definitions of genre as part of larger contexts. LÄS MER

4. 3. Out of Site : Landscape and Cultural Reflexivity in New Hollywood Cinema 1969-1974

   Författare :Henrik Gustafsson; Astrid Söderbergh Widding; Asbjørn Grønstad; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; cultural identity; film analysis; film and nation; genre revisionism; intermediality; landscape in art; landscape in cinema; New Hollywood; new realism; nostalgia film; reflexivity; road movies; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : This dissertation examines landscape as a concept for analysis and interpretation in film studies by considering the New Hollywood cinema in the late 1960s and early 1970s. Contextualized within the contested notion of nationhood at the time as well as the concern among filmmakers to probe the properties, practices and traditions of American cinema, this was also a period when landscape underwent widespread redefinition as a field of artistic and academic practice. LÄS MER

5. 4. The Most Delicate Subject : A History of Sex Education Films in Sweden

   Författare :Elisabet Björklund; Erik Hedling; Sven-Axel Månsson; Mariah Larsson; Eric Schaefer; Filmvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; Swedish sin ; Language of Love-films; school film; Film Studies; Filmvetenskap; Sex education film; sexuality and Swedish cinema; censorship; genre; exploitation; pornography; gender; Swedish welfare state; “Swedish sin”; Language of Love films; school film;

   Sammanfattning : The aim of this dissertation is to present a history of sex education films in Sweden, from their beginnings until the late 1970s, relating the films to the changing historical context of the Swedish welfare society. Within this framework, the dissertation explores two main sets of questions. LÄS MER

7. 5. The Invisible Seen in French Cinema before 1917

   Författare :Marina Dahlquist; Frank Kessler; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; trickfilm; vetenskaplig film; fransk tidig film; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

   Sammanfattning : Since the inception of cinema, an important strand of the medium has focused on itself, on what it depicts, and its indexical relation to the profilmic. Such concerns were most conspicuously put forward by the trick-film genre which bypassed conventional realism in its toying with the photographic image as well as cinematic movement. LÄS MER