Sökning: "Fotografi"

Visar resultat 1 - 5 av 26 avhandlingar innehållade ordet Fotografi.

  1. 1. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER

  3. 2. Elever erfar och representerar världen visuellt : en utforskande studie om hur mellanstadieelever skapar mening genom fotografi

    Författare :Maria Söderling; Lotta Bergman; Fredrik Lindstrand; Sylvana Sofkova Hashemi; Malmö universitet; []
    Nyckelord :Multimodal literacy; photography; semiosis; meaning-making; social semiotics; affordance; positioning; iterativity; digital tool; middle school; Multimodal literacy; fotografi; semiosis; meningsskapande; socialsemiotik; affordans; positionering; iterativitet; digitalt verktyg; mellanstadiet;

    Sammanfattning : Placed within language and literature didactics this qualitative practice-based study with a multimodal perspective aims to explore the potentials for meaning-making through photography.  Despite that, the digitization of society has facilitated access to various modes of meaning-making and has had a major impact on how we communicate and learn, new possibilities for meaning-making using for example film or photography are poorly explored in both research and education. LÄS MER

  4. 3. Anteckningar om Spår. Fotografi – Bevis – Bild

    Författare :Lars Wallsten; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; photography; evidence; trace; pattern; condensation; art; criminalistics;

    Sammanfattning : Anteckningar om Spår (Notes on Traces) is a self-critical and self-reflective practice-based PhD project. It endeavours to make visible how artistic practice can create its content and context in relation to experience, reinterpretation and further progression. The project is an inquiry into photography’s capacity to prove evidence. LÄS MER

  5. 4. I teatralitetens brännvidd : Om Ingmar Bergmans filmkonst

    Författare :Christo Burman; Per Ringby; Maaret Koskinen; Erik Hedling; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Ingmar Bergman; film style and aesthetics; theatricality; theatre; intermediality; interartiality; gaze; framing; acting; tracking shot; mask; close-up; photography; commercial; biographical legend; cameo appearance; phenomenology; hermeneutics; verfremdung; theatrum mundi; Ingmar Bergman; filmstil; estetik; teatralitet; teater; intermedialitet; interartialitet; blick; ram; skådespeleri; kameraåkning; mask; närbild; fotografi; reklamfilm; biografisk legend; cameo-framträdande; fenomenologi; hermeneutik; verfremdung; theatrum mundi; Literature; Litteraturvetenskap; Film; Filmvetenskap; Theatre; Teatervetenskap; Literature; litteraturvetenskap;

    Sammanfattning : The aim of this dissertation is to discuss and exemplify the use of theatre and theatricality in the film aesthetics of Ingmar Bergman (1918-2007). The main primary material of the study consists of a selection of Bergman’s films: the nine commercials made for Bris soap (1951-1953) and the feature films Sawdust and Tinsel (1953), Smiles of a Summer Night (1955), The Seventh Seal (1957), The Magician (1958), Through a Glass Darkly (1961), Winter Light (1963), The Silence (1963), Persona (1966), The Ritual (1969), Scenes from a Marriage (1973), Fanny and Alexander (1983) and Saraband (2003). LÄS MER

  7. 5. Konsten spränger ramarna : John Heartfield och det politiska fotomontaget : [en studie i John Heartfields fotomontage för AIZ]

    Författare :Inger Fredriksson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Heartfield; John; 1891-1968; Fotokonst; Fotografi;

    Sammanfattning : .... LÄS MER