Sökning: "Folk song"

Visar resultat 1 - 5 av 11 avhandlingar innehållade orden Folk song.

  1. 1. Kurbits-ReBoot : svensk folksång i ny scenisk gestaltning

    Författare :Susanne Rosenberg; Heikki Laitinen; Hannu Saha; Johan Sundberg; Henrik Frisk; Kungl. Musikhögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; Folk song; stage presence; vocal performance studies; performance; variation; improvisation; flow; interpretation; artistic research; folk hymns; ballads; folk vocal styles; herding calls; kulning; folksång; scenisk gestaltning; musikupplevelse; performans; variation; improvisation; flow; interpret; interpretation; konstnärlig forskning; folkliga koraler; ballader; sångsätt; kulning;

    Sammanfattning : This artistic research project is an explorative study in new forms of expression of Swedish folk singing in a scenic context, exploring expressive qualities in traditional Swedish folk song from the point of view of the folk singer as a creative performer. The fundamental research question is how, in a scenic context, can space be given to what is a characteristic quality of traditional folk song, namely creative interpretation in the moment, through variation and improvisation using the song as a concept rather than a fixed work. LÄS MER

  2. 2. Orgelsång och psalmspel : Musikalisk gestaltning av församlingssång

    Författare :Per Högberg; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musical performance; Congregational song; Interaction; Participation; Liturgy; Beauty; User perspective; Function; Tradition; Organ; Song; Horizontality and verticality; Musical performance;

    Sammanfattning : ABSTRACT Per Högberg: Organ Singing and Hymn Playing. Performing Congregational Song. The Lutheran church service tradition assigns important functions to the organ: in liturgical use, most of all as a leader, a source of inspiration, and a conversational partner in the congregation’s song. LÄS MER

  3. 3. Sjungande berättare - vissång som estradkonst 1900–1970

    Författare :Marita Rhedin; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; authenticity; folk music; guitar; lute; microphone; performance practice; poetry; process of change; repertoire; simplicity; singing style; singer-songwriter; song; Sweden; troubadour; visa; voice;

    Sammanfattning : The purpose of this dissertation is to investigate how the song type visa, especially the so-called literary visa, has been presented on Swedish public stages from 1900 to 1970. More specifically it aims to: a) identify characteristic features for the performance of visa; b) ascertain in what ways performance practice has changed during the period; c) analyze and discuss the causes of change; by d) studying the performance of visa in its social and historical context. LÄS MER

  4. 4. Slippery paths : The performance and canonization of Turkic literature and Uyghur muqam song in Islam and modernity

    Författare :Nathan Light; USA IN Indiana University; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Folklore; Song; Islam; Muqam; Modernity; Language; literature and linguistics; Social sciences; Turkic; Canonization; Middle Eastern literature; Uyghur; Performance; China; Asian literature; Turkic languages; Turkiska språk; Literature; Litteraturvetenskap; Religionshistoria; History of Religions;

    Sammanfattning : In the past forty years the fluid Uyghur muqam song tradition has been transformed into a cultural canon used to represent the Uyghur ethnic group within China and on the world stage. Traditional muqam performers have provided the magma of songs that scholars and politicians have edited into an invented "great tradition" which supports a Uyghur claim to an important piece world cultural history. LÄS MER

  5. 5. Dylan i 60-talet. Tematiken i Bob Dylans sångtexter och dikter 1961-67

    Författare :Mats Jacobsson; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; litteraturteori; Allmän och jämförande litteratur; literary theory; literature criticism; The 60´s; song lyrics; contexts and interpretation; thematics; Guthrie tradition; society as father; generation conflict; The Beat Poets; Black Humor; litteraturkritik; New Left; Musicology; General and comparative literature; Musikvetenskap;

    Sammanfattning : Bob Dylan (b. 1941) became known as an enfant terrible and a regenerator of rock lyrics already in the tumultuous 60´s. His constantly shifting roles as musician and songwriter, combined with his notable reserve, have led to the growth of a plethora of myths surrounding his person and work. LÄS MER