Sökning: "Film studies"

Visar resultat 11 - 15 av 796 avhandlingar innehållade orden Film studies.

  1. 11. Beyond Cut and Join : Expanding the Creative Role of Film Editing

    Författare :Kersti Grunditz Brennan; Juliette Mapp; Karen Pearlman; Ilona Hongisto; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Film editing; character; collaboration; filmmaking; artistic research; creative practice research; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.;

    Sammanfattning : The research project Beyond Cut and Join – Expanding the creative role of film editing comes out of two major observations over decades of professional film editing experience: that a lot of film editing’s potential is untapped in filmmaking, especially in relation to character creation; and that editors’ skills, influence and authorial participation often are misunderstood and undervalued. Through editing practice and writing, this research explores an expanded role of editing by asking: 1. LÄS MER

  2. 12. Chinatown Film Culture : The Appearance of Cinema in San Francisco’s Chinese Neighborhood, 1906-1915

    Författare :Kim Khavar Fahlstedt; Jan Olsson; Gregory Waller; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Film history; early cinema; local film history; Chinese-American history; transnational cinema; orientalism; urban studies; San Francisco; Chinatown; Sid Grauman; filmvetenskap; Cinema Studies;

    Sammanfattning : This study investigates film culture in San Francisco's Chinatown between the years 1906 and 1915. While Chinatowns have figured in several studies of representation in classical Hollywood cinema, it has rarely been approached as a place where film culture actually happened. LÄS MER

  3. 13. Tabu : Filmaren Vilgot Sjöman

    Författare :Anders Åberg; Växjö universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; film; filmregissörer; svensk filmhistoria; politik; sex; censur; Film; Filmvetenskap; Film Studies; Filmvetenskap; Political Cinema; Humaniora; Humanities; Swedish Film; Sjöman;

    Sammanfattning : This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films. LÄS MER

  4. 14. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia

    Författare :Nadi Tofighian; John Fullerton; Charles Musser; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; colonial history; early cinema; film history; distribution; transnational networks; entertainment culture; Southeast Asia; Singapore; postcolonial theory; colonial discourse; ethnicity; race; whiteness; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER

  5. 15. Out of Site : Landscape and Cultural Reflexivity in New Hollywood Cinema 1969-1974

    Författare :Henrik Gustafsson; Astrid Söderbergh Widding; Asbjørn Grønstad; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; cultural identity; film analysis; film and nation; genre revisionism; intermediality; landscape in art; landscape in cinema; New Hollywood; new realism; nostalgia film; reflexivity; road movies; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines landscape as a concept for analysis and interpretation in film studies by considering the New Hollywood cinema in the late 1960s and early 1970s. Contextualized within the contested notion of nationhood at the time as well as the concern among filmmakers to probe the properties, practices and traditions of American cinema, this was also a period when landscape underwent widespread redefinition as a field of artistic and academic practice. LÄS MER