Sökning: "Film Culture"

Visar resultat 16 - 20 av 93 avhandlingar innehållade orden Film Culture.

  1. 16. Beauty Box : Filmstjärnor och skönhetskultur i det tidiga 1900-talets Sverige

    Författare :Therése Andersson; Astrid Söderbergh-Widding; Ann-Kristin Wallengren; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Filmstjärnor; mode; make-up; skönhet; performans; teknologier; genuskonstruktion; modernitet; reception; transnationella relationer; populärpress; Filmjournalen; reklam; konsumism; emancipation; individualitet; fysionomi; Film; Filmvetenskap;

    Sammanfattning : The object of this dissertation is the relationship between film, fashion and beauty concerning different understandings of femininity, with reference to the establishment of the star system and the making of celebrity culture, and how these were expressed through magazines and commercial ads in early 20th century Sweden. The period of time framing the discussion, from fin-de-siècle and onwards with specific focus on the 1920s and 1930s, corresponds to the course of publication of the Swedish magazine Filmjournalen. LÄS MER

  3. 17. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER

  4. 18. Perspektiv på historiefilmslitteracitet : en didaktisk studie av gymnasieelevers historiska och emotionella meningsskapande i mötet med spelfilm

    Författare :Maria Deldén; Carola Nordbäck; Tomas Axelson; Ulf Zander; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historical film literacy; History education; History didactics; Feature film; Historical meaning making; Historical Culture; Aesthetic experience; Transaction; Upper secondary school; Historiefilmslitteracitet; historiedidaktik; historisk spelfilm; historiskt meningsskapande; historiekultur; estetiska lärprocesser; transaktion; gymnasiet; historiedidaktik; didactics of history; Utbildning och lärande;

    Sammanfattning : The present study addresses what happens when historical feature film is used in history education. The purpose of this thesis is to develop new knowledge of historical film literacy through a study of the feature film's didactical potential in an educa­tional context. LÄS MER

  5. 19. Folkhemmets skuggbilder. En kulturanalytisk genrestudie av svensk kriminalfiktion i film och tv

    Författare :Daniel Brodén; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; crime film; crime fiction; genre studies; culture studies; Swedish film history; television drama; Folkhemmet; welfare state; modernity and ambivalence; detective film; psychological thriller; police film; political thriller.;

    Sammanfattning : .... LÄS MER

  7. 20. Film in Iran : 1900 to 1979 : a political and cultural analysis

    Författare :Behrad Najafi; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES;

    Sammanfattning : The Iranian cinema has been one of the most neglected subjects in the study of Iranian art and the history of film. The purpose of this work, which covers the entire period of cinematographic development up to the 1979 Iranian Revlution, is to provide the reader with insight into the evolution and decline of the Iranian cinema as a cultural and social phenomenon. LÄS MER