Sökning: "Engelska språket"
Visar resultat 1 - 5 av 183 avhandlingar innehållade orden Engelska språket.
1. Estranging Cognition : Feminist Science Fiction and the Borders of Reason
Sammanfattning : This study explores the intersections of three different fields: feminism, science fiction, and epistemology. It argues that as a genre, science fiction is dependent on epistemological discourses that have their roots in the stories and self-images of modern science. LÄS MER
2. The element -stow in the history of English
Sammanfattning : The present study deals with words ending in -stow throughout the history of English. The OE element-stow derives from the IG root *st(h)au-o, which is the extended form of the simple *st(h)a. In the thesis, parallel forms from a number of IG languages are given and commented on. LÄS MER
3. The Tragedy of Liberty : Civic Concern and Disillusionment in James Thomson's Tragic Dramas
Sammanfattning : Early eighteenth-century serious drama often addresses the significance of liberty. This study focuses on the theme of civic and individual liberty in the little known tragedies of James Thomson, Sophonisba, Agamemnon and Tancred and Sigismunda, all of which problematise the condition of liberty under the influence of ideology. LÄS MER
4. Crediting marvels in Seamus Heaney's Seeing things
Sammanfattning : This is a study of the Irish, Nobel prize-winning poet Seamus Heaney's Seeing Things, (1991), a volume which marks a turning point in Heaney's writing. From an earlier concern with the outer physicality of things, Heaney turns with deepened awareness to the inner landscapes of the mind, where the thingness of things is explored and expressed in language. LÄS MER
5. The Female Reader at the Round Table : Religion and Women in Three Contemporary Arthurian Texts
Sammanfattning : Stretching back at least a thousand years, Arthurian literature constitutes a vigorous and varied genre that attracts scholarly attention. In a close reading of three modern Arthurian texts, Mary Stewart’s Merlin trilogy, The Crystal Cave (1970), The Hollow Hills (1973), The Last Enchantment (1979), Marion Bradley’s The Mists of Avalon (1982), and Stephen Lawhead’s Pendragon Cycle, Taliesin (1987), Merlin (1988), Arthur (1989), Pendragon (1994), and Grail (1997), this study focuses on the intersection between two of the genre’s motifs: religion and gender. LÄS MER
