Sökning: "Drama dans"

Hittade 2 avhandlingar innehållade orden Drama dans.

  1. 1. Para-espaces dans le th��tre fran�ais de la p�riode romantique (1828-1835)

    Författare :Nicolas Manuguerra; Christina Kullberg; Edward Nye; Tim Farrant; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; French literature; theatre; theatre studies; 19th century; drama; romantic drama; romanticism; space; spatiotemporality; para-espaces; threshold; permeability; transition; mediation; stage; offstage; windows; doors; staircase; stairs; balcony; Littérature française; théâtre; dix-neuvième siècle; romantisme; drame; drame romantique; espace; seuil; spatiotemporalité; para-espaces; passage; médiation; transition; frontière; limite; perméabilité; contaminations; scène; hors-scène; teichoscopie; portes; fenêtres; balcons; escaliers; Victor Hugo; Alexandre Dumas; Eugène Scribe; Casimir Delavigne; Jacques Ancelot; René-Charles Guilbert de Pixerécourt; Auguste Anicet-Bourgeois; Frédéric Soulié; Alfred de Vigny; Alfred de Musset; Victor Ducange; Felix Pyat; Auguste Luchet.; Literature; Litteraturvetenskap; Romance Languages; Romanska språk;

    Sammanfattning : This thesis deals with the functions of prevalent threshold-like spaces such as windows, stairs, doors or balconies in theatre plays from the height of the Romantic era in France (1828-1835). The study coins the concept of « para-espaces » (para-spaces) and elucidates the way they mediate between different divisions of the spatiotemporal structure of a play. LÄS MER

  2. 2. iOPERA : den virtuella operahuset

    Författare :Fredrik Högberg; Johannes Landgren; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; opera; music theatre; internet; multimedia; virtuality; interactivity; Musical Performance; Musikalisk gestaltning;

    Sammanfattning : Classical music has a troubled history regarding the transformation into new forms of media, and the Internet is no exception. The aim of the present research project is to explore the possibilities of building a virtual, interactive opera house on the Internet, seeking answers to the following research questions:– Is the Internet an ideal platform for a composer of scenic music who, like myself, strives to control all artistic parameters? Or can it turn out the be just the opposite: a creative forum where boundaries between author and audience/users tend to dissolve?– In what way should my music develop to fit into this new arena? And conversely, how will it be possible to develop the Internet to suit my musical and artistic intentions?– Is it possible, in this new public environment, to come through with art and music intended to be an alternative to cultural commercialism and economic speculation and a voice against alienation and intolerance?– How can the increasingly neglected genre of art music find a new audience on the Internet?– How can economic needs be met without losing artistic values?In order to find answers to these questions, iOPERA AB was formed and the production of The Woman of Cain, the first opera exclusively designed for the Internet, began. LÄS MER