Sökning: "Documentary films"

Visar resultat 1 - 5 av 14 avhandlingar innehållade orden Documentary films.

  1. 1. Patterns of recollection : the documentary meets digital media

    Författare :Åke Walldius; Stephen Mamber; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Documentary films; Dokumentärfilm; Digitalteknik; Digitala medier och film; Cinema Studies; filmvetenskap;

    Sammanfattning : The aim of this study is to propose a conceptual framework for the analysis of historical programming in digital media. Radical breakthroughs in the technologies for registration and dissemination of moving images have created a need for common vocabularies that can be shared by media practitioners, researchers from different fields of inquiry, and end-users of documentary accounts. LÄS MER

  3. 2. Sisters! Making Films, Doing Politics : An Exploration in Artistic Research

    Författare :Petra Bauer; Konstfack; []
    Nyckelord :HUMANIORA; HUMANITIES; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters; Aesthetics; Art; Artistic Research; Berwick Street Film Collecitve; Camera; Cinema Action; Claire Johnston; Collectivity; Documentary Film; Ethics; feminism; film; Film Collectives; Film Production; Film Strategies; Hannah Arendt; Judith Butler; London Women’s Film Group; Political Action; Public Space; Relationality; Southall Black Sisters;

    Sammanfattning : How does film become a political act? That is the question that the artistic research project Sisters! Making Films, Doing Politics revolves around. Taking Hannah Arendt’s ideas about the constitution of the political arena as its point of departure, this dissertation reflects on the aesthetic mechanisms that underlie contemporary strategies for collective and feminist filmmaking. LÄS MER

  4. 3. Jill Bilcock : Revealing the Invisible Artist. Recognising the creative contributions of film editors to filmmaking through biographical documentary film

    Författare :Axel Grigor; Patricia FitzSimons; Nico Meissner; Joanna Callaghan; Kath Dooley; Högskolan Dalarna; []
    Nyckelord :HUMANIORA; HUMANITIES; Film Editing; Film Editor; Film Production; Filmmaking; Motion Pictures; Motion Picture Editing; Documentary; Film Art; Film History; Biography; Jill Bilcock; Australia; Hollywood; Filmklippning; Filmklippare; Filmproduktion; Film; Filmkonst; Dokumentärfilm; Biografi; Jill Bilcock; Australien; Hollywood;

    Sammanfattning : Film editing is recognised as the conceptual innovation that, at the dawn of the twentieth century, helped transform the novelty of moving images into cinema. Despite this acknowledgment, misconceptions about the art form linger. LÄS MER

  5. 4. Peter Weiss filmer : från de korta små lekfulla kopparslagen till kommersiell långfilmsdebut: filmer - filmidéer - utkast

    Författare :Jan Christer Bengtsson; Astrid Söderbergh Widding; Lars Gustaf Andersson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Filmhistoria; Peter Weiss; 1950-talet; lång- och kortfilm; experiment- och dokumentärfilm; filmförsök; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

    Sammanfattning : This doctoral thesis deals with Peter Weiss’ (1916-1982) films and some of his never finished attempts. The focus is in general on Weiss’ film work activities in the 1950’s, when film held the very central place in his works of art. LÄS MER

  7. 5. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

    Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

    Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER