Sökning: "Composer"

Visar resultat 1 - 5 av 44 avhandlingar innehållade ordet Composer.

1. 1. Becoming Cyborg Composer : The Ecology of Digital Music Composition Didaktik

   Författare :Jonas Asplund; Ketil Thorgersen; Cecilia Ferm Almqvist; Cecilia Wallerstedt; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Music education; Music composition; Digitalisation; Posthumanism; Didaktik; ämnesdidaktik med inriktning mot de estetiska ämnenas didaktik; Teaching and Learning with Specialisation in the Arts Education;

   Sammanfattning : The aim of this licentiate thesis is to explore the sociomaterial relationality of music composition education with digital hardware/software and its outcomes. Two studies were conducted interleaved as original articles in the thesis. LÄS MER

3. 2. Ulf Björlin - dirigenten, kompositören, arrangören

   Författare :Louise Eulau; Joakim Tillman; Owe Ander; Eva Öhrström; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; conducting; conductor; composing; composer; arranging; art music; popular music; twentieth-century; musicology; Bellman; Bjorlin; Björlin; Nadia Boulanger; Markevitch; Stravinsky; Taube; Sweden; dirigering; dirigent; komposition; kompositör; tonsättare; arrangering; arrangör; konstmusik; musikvetenskap; Bellman; Björlin; Boulanger; Markevitj; Stravinskij; Taube; Music; Musikvetenskap; Musicology; musikvetenskap;

   Sammanfattning : This dissertation deals with the Swedish conductor, composer and arranger Ulf Björlin (1933-1993). As no systematic inventory of Björlin’s work has previously been made, a comprehensive collection of his compositions, arrangements, recordings, concerts and work as a producer has been undertaken here. LÄS MER

4. 3. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen

   Författare :Jonas Lundblad; Johannes Brusila; Edward Campbell; Åbo Akademi University Psychology and Theology Faculty of Arts Musicology; []
   Nyckelord :HUMANIORA; HUMANITIES; Olivier Messiaen; musical modernism; performance; composition; aesthetics; theory; Musikvetenskap; Musicology;

   Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER

5. 4. Mellan provins och parnass : John Fernström i svenskt musikliv

   Författare :Boel Lindberg; Musikvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; career; symphonic music; vocal music; musical style 1920­1945; musical modernism; male choir; working menOEs choir; peopleOEs concerts; Bourdieu; cultural field; cultural capital; habitus; national culture; provincial culture; Composer; biography; musical t; Musicology; Musikvetenskap;

   Sammanfattning : The Swedish composer John Fernström (1897-1961) wrote over 200 pieces in the genres of symphonic music, chamber music and vocal music for mixed choirs, male choirs and solo vocals accompanied by piano. He lived most of his life in the province of Scania, first working in Helsingborg from 1916­ 1939 as a violinist in Nordvästra Skånes Orkester- förening [the Northwest Scanian Orchestra], whereafter he moved to Malmö and worked as a freelance conductor and composer until 1943. LÄS MER

7. 5. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

   Författare :Sverker Jullander; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

   Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER