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1. L’autoportrait textuel par Claude Cahun : Énonciation, formes génériques et détournement dans Aveux non avenus (1930)
Sammanfattning : The purpose of the present thesis is to examine the modes of enunciation (“mode d’énonciation”) and the use of text genres in relation to thematic and semantic aspects of Claude Cahun’s book, Aveux non avenus (Disavowals: or, Cancelled Confessions)(1930), which consists of text fragments. Claude Cahun, who is mostly known for her photographic self-portraits, was active on the margins of surrealism in Paris in the 1920s. LÄS MER
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