Sökning: "Choreography"

Visar resultat 16 - 20 av 38 avhandlingar innehållade ordet Choreography.

  1. 16. Mixed Reality in Public Space : Expanding Composition Practices in Choreography and Interaction Design

    Författare :Marika Hedemyr; Susan Kozel; Maria Engberg; Sarah Fdili Alaoui; Malmö universitet; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES;

    Sammanfattning : Although artistic augmented reality (AR) and mixed reality (MR) experiences have been discussed in multiple scholarly fields, when it comes to interaction design, comprehensive accounts of actual design practices are rare. To expand our knowledge of design practices, this PhD dissertation brings together choreography and interaction design, approaching MR as site-specific performance. LÄS MER

  3. 17. How Do You Become a Successful Beggar in Sweden? : An inquiry into the images of begging and giving 2011 to 2016

    Författare :Cecilia Parsberg; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; fine arts; images; begging; giving; beggar; giver; successful; solidarity; empathy; affect; space of action; free movement; borders; politics of waiting; gestures; urban life; participating art; asymmetry; symmetry; place; house; co-presence; framing; social choreography; power; activate the image; ethics; aesthetics; video documentation; artistic research; phronesis; Hannah Arendt; Judith Butler; Sara Ahmed; Sven-Eric Liedman;

    Sammanfattning : My first encounter with a begging person led me to spend five years investigating the new situation regarding begging and giving in Sweden. The premise is that every-day actions and reactions to another person can be made visible through aesthetics with ethical underpinnings. LÄS MER

  4. 18. Hur blir du en framgångsrik tiggare i Sverige? : en undersökning av tiggandets och givandets bilder 2011 till 2016

    Författare :Cecilia Parsberg; Cecilia Lagerström; Göran Dahlberg; Stefan Jonsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; fine arts; images; begging; giving; beggar; giver; successful; solidarity; empathy; affect; space of action; free movement; borders; politics of waiting; gestures; urban life; participating art; filminstallation; asymmetry; symmetry; place; house; co-presence; framing; social choreography; power; activate the image; ethics; aesthetics; ethics; video documentation; artistic research; phronesis; Hannah Arendt; Judith Butler; Sara Ahmed; Sven-Eric Liedman; fri konst; bilder; tiggande; givande; tiggare; givare; framgångsrik; solidaritet; empati; affekt; förhandlingsutrymme; den fria rörligheten; gränser; politiskt väntrum; gester; urbant liv; deltagande konst; filminstallation; asymmetri; symmetri; plats; hus; co-presence; framing; social koreografi; makt; aktivera bilden; etik; estetik; videodokumentation; konstnärlig forskning; fronesis; Hannah Arendt; Judith Butler; Sara Ahmed; Sven-Eric Liedman; fri konst; Fine arts;

    Sammanfattning : Mitt första möte med en tiggande föranledde mig att under fem år undersöka den nya situationen för tiggeriet och giveriet i Sverige. Förutsättningen är att vardagliga handlingar och reaktioner gentemot en annan människa kan synliggöras estetiskt med en etisk klangbotten. LÄS MER

  5. 19. Avhandling / Av_handling (Dissertation / Through_action)

    Författare :Malin Arnell; Anna Koch; Hanna Hallgren; Teresa Maria Diaz Nerio; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; Performative and media based practices; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!;

    Sammanfattning : If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. LÄS MER

  7. 20. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER