Sökning: "Choreography"

Visar resultat 1 - 5 av 38 avhandlingar innehållade ordet Choreography.

  1. 1. EXPANDED CHOREOGRAPHY : Shifting the agency of movement in The Artificial Nature Project and 69 positions

    Författare :Mette Invartsen; Maria Lind; Bojana Cvejic; Adrian Heathfield; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography; Koreografi; Dans; Konstnärlig forskning; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. LÄS MER

  2. 2. Moving through Choreography – Curating Choreography as an Artistic Practice

    Författare :Marie Fahlin; André Lepecki; Cristina Caprioli; Joanna Sandell; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Choreography; curating; dressage; centaur; centauring; exhibition; exhibitor; articulation; affect; transposition; composition; transcarnation; touch; tack; aids; terminology; ‘found practice’; ‘found choreography’; expanded choreography; one; oneness; manège; poetry; intimacy; listening; entanglement; embodiment; discursivity; diagram; performing; preforming; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Sammanfattning : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. LÄS MER

  3. 3. EXPANDED CHOREOGRAPHY: Shifting the agency of movement in The Artificial Nature Project and 69 positions

    Författare :Ingvartsen Mette; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; material agency; vibrant matter; sensorial participation; sensorial problems; immersive stage environments; color perception; nonhuman choreography; actants; the Anthropocene; non-subjective performativity; ecology; catastrophe; technological extensions of the body; the triple image; animate inanimate; expression; action; production of affect; evaporation; dissolution and dispersion; poetics; expanded choreography; Sexuality; sexual liberation; the performance history of the 1960s; protest and politics; ‘language choreography’; orality; storytelling; pornography; affect and economy; expression and liberty; immaterial labor; self-experimentation; dance; ‘soft choreography ; social choreography;

    Sammanfattning : Through two books and a series of video documentations of live performances Mette Ingvartsen makes choreography into a territory of physical, artistic and social experimentation. The Artificial Nature Series focusses on how relations between human and non-human agency can be explored and reconfigured through choreography. LÄS MER

  4. 4. The decline of choreography and its movement : a body's (path)way

    Författare :Paz Rojo; Chrysa Parkinson; Victoria Pérez Royo; Noémie Salomon; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Dance; withdrawal; no-future; destitution; gap; eclipse; crisis; body of dance; extra; Gerry; anonymity; bloom; whatever; impersonal; pre-individual; impossible; not-yet produced potentiality; path way; raw fact material signification; practical matter; reading apparatus; perceiving-receiving; preparation; before the beforehand; beginning : end; use; continuity; what s happening; doing; texture; articulation; density; volume; common surface; outside; out-side-ing; choreography; movement; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : This doctoral artistic research project addresses the possibility of a dance withdrawn from that neoliberal scheme accordingto which self-performance, entrepreneurship and the production of subjectivity rule. Taking as a starting point the dissident corporealities that have emerged in the last fifty years in Western contemporary experimental dance; the project involvesaesthetic, philosophical and socio-political perspectives, carried out on choreographic, performative, textual, audiovisual, curatorial and discursive media. LÄS MER

  5. 5. The Choreography of Gender in Traditional Vietnamese Music

    Författare :Thanh Thuy Nguyen; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Gender; Gesture; Traditional music; Intercultural music; Choreography;

    Sammanfattning : This Ph.D. project in artistic research is concerned with the function of gesture in traditional Vietnamese music. Building on gender analysis of musical performance in TV shows, and further on autoethnographic inquiry throughout the artistic projects, the artistic output articulates a critical understanding of these practices. LÄS MER