Sökning: "Central American literature"
Visar resultat 11 - 15 av 25 avhandlingar innehållade orden Central American literature.
11. Ecologies of the Imagination : Theorizing the participatory aesthetics of the fantastic
Sammanfattning : This book is about the participatory aesthetics of the fantastic. In it, the author argues that the definition of the fantastic presented by Tzvetan Todorov in 1970 can be used, provided it is first adapted to a media-ecological framework, to theorize the role of aesthetic participation in the creation of secondary worlds. LÄS MER
12. Spirit of Christ Inculturated- A Theological Theme Implicit in Shusaku Endo's Literary Works
Sammanfattning : Shusaku Endo (1923-1996) is a Roman Catholic, Japanese novelist. From 1950 to 1953, he studied French literature in Lyon, France. Returning from Lyon, Endo began his career as a novelist. His early works include: White Men, Yellow Men(1954), A Wonderful Fool(1959), The Women in the Bible(1960), Foreign Studies(1965), etc. LÄS MER
13. Utopie et atopie – les avant-gardes littéraires et théoriques dans le sillage de 1968 : Médiations, circulations et controverses théoriques de France en Scandinavie à travers quatre revues : Tel Quel, Poetik, Profil, Kris
Sammanfattning : The year 1968 has come to symbolise the culmination of political, social and cultural protests in many Western countries. Half a century later, memories and narratives are still vivid and conflicted. LÄS MER
14. Taken by Stealth : Everyday Life and Political Change in John Dos Passos's U.S.A. Trilogy
Sammanfattning : John Dos Passos’s U.S.A. trilogy (1938) tells the story of an erosion of American values and ideals – an ideological shift – during the first three decades of the twentieth century. LÄS MER
15. Artworks as diagrams : Diagrammatic reasoning and the epistemic potential of art
Sammanfattning : This thesis is concerned with establishing a bridge between matters of aesthetics and epistemology, by investigating the mechanisms through which artworks allow agents to derive knowledge through the former’s manipulation. It is proposed that, in order to understand the epistemic potential of artworks, we need to approach them as diagrams, in the sense developed by Charles Peirce. LÄS MER
