Sökning: "Brecht"

Visar resultat 1 - 5 av 8 avhandlingar innehållade ordet Brecht.

  1. 1. Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen

    Författare :Olof Siljeholm; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; intertextuality; alienation effects Verfremdung ; biblical allusions; the gods of Szechwan and God in the Bible; Shen Teh’s double identity; capitalistic society; Brecht; Bertolt; Der gute Mensch von Sezuan;

    Sammanfattning : The Bible has had a considerable impact on Brecht’s literary production, which is already verified by scholars such as Reinhold Grimm and G. Ronald Murphy. LÄS MER

  3. 2. En ny generation lärostycken : Frågor till de införstådda

    Författare :John Hanse; Teaterhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Learning play; Repertories of contention; Activist; Rightwing populism; Script; Instructed action; Directing; Collective; Riot; Audience; Spectator; Brecht; Acting; Extra-parliamentary left; Antifascism; Audience participation; Lärostycke; Konfliktrepertoar; Aktivist; Högerpopulism; Manus; Instruerad handling; Regi; Kollektiv; Upplopp; Publik; Brecht; Skådespeleri; Utomparlamentarisk vänster; Antifascism; Publikdeltagande;

    Sammanfattning : This dissertation proceeds from the learning play as a historical idea about a theatre produced in relation to a political movement. Through the participation in the collective creation of two theatre performances, Violence & Learning and Corpus & Punishment, it takes part in the learning about societal phenomena in an attempt to answer the question: How can I participate in the creation of a new generation of learning plays? One of the starting points is a critical approach to views that the audience is passive and needs to be activated, or uninformed and needs to be informed. LÄS MER

  4. 3. Befrielsen är nära. Feminism och teaterpraktik i Margareta Garpes och Suzanne Ostens 1970-talsteater

    Författare :Birgitta Johansson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Margareta Garpe; Suzanne Osten; Tjejsnack Girls’ Talk ; Kärleksföreställningen A Performance of Love Jösses flickor! Befrielsen är nära Gosh Girls! Liberation is at hand ; Theatrical Reviews; The 1970’s; Feminism; Women’s Liberation Movement; Female Experiences Avantgarde Theatre; Bertolt Brecht; Dario Fo; Alternative Theatre; Mimesis; Social Movements; Strategies of Resistance;

    Sammanfattning : Abstract Johansson, Birgitta, “Befrielsen är nära “. Feminism och teaterpraktik i Margareta Garpes and Suzanne Ostens 1970-tasteater (Liberation is at Hand. Feminism and Theatrical Practice in Margareta Garpe’s and Suzanne Osten’s Theatre of the 1970’s). Swedish text with a summary in English. LÄS MER

  5. 4. Television Without Frontiers

    Författare :Andjeas Ejiksson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; allegory; Bertolt Brecht; critique; Eurikon; Europa Television; institution; public service; reenactment; spectator; television;

    Sammanfattning : Television Without Frontiers revolves around a TV experiment titled Eurikon, realized in 1982 in an effort to explore the possibility of developing a public service channel spanning the entirety of Western Europe and the Mediterranean region. The experiment was initiated by the European Broadcast Union and organised as a collaboration between fifteen national public service networks. LÄS MER

  7. 5. Skådespelaren i handling : Strategier för tanke och kropp

    Författare :Kent Sjöström; Lunds universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Acting; Embodied Knowledge; Cognitive Strategies; Intentionality; Stanislavsky; Michael Chekhov; Performing Arts; Theatre Education; Physical Action; Humanities; Konstnärligt arbete; Stanislavsky; Michael Chekhov; Bertolt Brecht; Humaniora;

    Sammanfattning : In the thesis, that has its basis in my educational work at Malmö Theatre Academy, I discuss how actors in training solve the problem of embodying the role ? how they, from their ideas, feelings, thoughts and knowledge create the physical actions of the role. My discussion has its basis in how the training in acrobatics can form a sort of model for the strategies needed by the actor to perform on stage. LÄS MER