Avancerad sökning
Visar resultat 1 - 5 av 6 avhandlingar som matchar ovanstående sökkriterier.
1. This is not citizenship. Analysing the claims of disability activists in Sweden
Sammanfattning : This dissertation aims to contribute to sociology, citizenship studies and disability studies by responding to T.H. Marshall’s ([1950]1992) invitation to examine the development of equal citizenship in a context of structural inequality, and Jenkins’ (1991) call to consider disability as a dimension of social stratification. LÄS MER
2. Mis-Movements : The Aesthetics of Gesture in Samuel Beckett's Drama
Sammanfattning : This study explores Beckett’s use of physical movements in his plays as part of a strategy to escape the limits of semantic meaning and as an instrument of artistic expression. In a sense, the use of physical movements constitutes a phenomenological, heuristic ‘solution’ to the problem of presentation and representation that Beckett explicitly addresses already in the early 1930s. LÄS MER
3. Shakespearean parallels and affinities with the Theatre of the absurd in Tom Stoppard's Rosencrantz and Guildenstern are dead
Sammanfattning : The study elucidates the relation of Tom Stoppard's play Rosencrantz and Guildenstern Are Dead to Hamlet on the one hand and to the Theatre of the Absurd on the other. The two plays chosen to represent the Theatre of the Absurd are Samuel Beckett1 s Waiting for Godot and Harold Pinter* s The Caretaker. LÄS MER
4. "Jag kommer ur den frusna världen" : Sandro Key-Åbergs diktning 1947-1965
Sammanfattning : Sandro Key-Åberg is one of the most important poets in post-war Swedish literature. The purpose of this thesis is to illuminate and comment on Key-Åberg's literary work from his debut in the anthology Ny Lyrik 1947 to O Scenprator (1965). LÄS MER
5. Cette fameuse Sonate des spectres… Une pièce de chambre d’August Strindberg en France : traduction et réception
Sammanfattning : This dissertation studies the reception of one of August Strindberg’s chamber plays, The Ghost sonata (La Sonate des spectres, Spök-sonaten, 1907), in France, focusing on its translation, transposition to the stage and integration within a given cultural system. The early interest of Antonin Artaud in this play around 1930 led to its being adopted by the French avant-garde theatre and made famous through its staging by Roger Blin in 1949. LÄS MER