Sökning: "August Strindberg"
Visar resultat 31 - 35 av 39 avhandlingar innehållade orden August Strindberg.
31. Tidens tröskel : Uppbrott och nostalgi i skandinavisk litteratur kring sekelskiftet 1900
Sammanfattning : This study illuminates Scandinavian literature’s engagement with the fin de siècle as a momentous temporal threshold, when the widespread feeling of being poised on the brink of a distinctly modern age while at the same time witnessing the demise of the old world produced excitement as well as anxiety, a sense of loss and nostalgia. The dissertation explores how three male authors of the Scandinavian canon – Ola Hansson, August Strindberg and Knut Hamsun – depict the ambivalent experience of being torn between nostalgia and a heady sense of departure. LÄS MER
32. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film
Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER
33. Bo Widerbergs tv-teater / Bo Widerbergs's TV-Theatre
Sammanfattning : The dissertation analyzes the seven studio produced TV-plays made (1979-1992) by the renown Swedish filmmaker Bo Widerberg. The main focus regards Widerberg’s work method, here referred to as ”The Widerberg method”, which can be described as an acting oriented work method influenced by the American method acting tradition from Hollywood in the fifties, especially the films by Elia Kazan. LÄS MER
34. Strindberg in der Oper: August Strindbergs Opernpoetik und die Rezeption seiner Texte in der Opernproduktion bis 1930
Sammanfattning : .... LÄS MER
35. Cette fameuse Sonate des spectres… Une pièce de chambre d’August Strindberg en France : traduction et réception
Sammanfattning : This dissertation studies the reception of one of August Strindberg’s chamber plays, The Ghost sonata (La Sonate des spectres, Spök-sonaten, 1907), in France, focusing on its translation, transposition to the stage and integration within a given cultural system. The early interest of Antonin Artaud in this play around 1930 led to its being adopted by the French avant-garde theatre and made famous through its staging by Roger Blin in 1949. LÄS MER