Sökning: "Audience"

Visar resultat 11 - 15 av 313 avhandlingar innehållade ordet Audience.

  1. 11. En ny generation lärostycken : Frågor till de införstådda

    Författare :John Hanse; Teaterhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Learning play; Repertories of contention; Activist; Rightwing populism; Script; Instructed action; Directing; Collective; Riot; Audience; Spectator; Brecht; Acting; Extra-parliamentary left; Antifascism; Audience participation; Lärostycke; Konfliktrepertoar; Aktivist; Högerpopulism; Manus; Instruerad handling; Regi; Kollektiv; Upplopp; Publik; Brecht; Skådespeleri; Utomparlamentarisk vänster; Antifascism; Publikdeltagande;

    Sammanfattning : This dissertation proceeds from the learning play as a historical idea about a theatre produced in relation to a political movement. Through the participation in the collective creation of two theatre performances, Violence & Learning and Corpus & Punishment, it takes part in the learning about societal phenomena in an attempt to answer the question: How can I participate in the creation of a new generation of learning plays? One of the starting points is a critical approach to views that the audience is passive and needs to be activated, or uninformed and needs to be informed. LÄS MER

  2. 12. Agents secrets : Le public dans la construction interactive de la repr�sentation th��trale

    Författare :Mathias Broth; Lorenza Mondada; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Romance languages - general; Theatre performance; audience; coughing; throat-clearing; silence; laughter; collective response; conversation analysis; institutional interaction; turntaking; official and unofficial actions; projection; listening; gesture; acting; Romanska språk - allmänt; Romance languages; Romanska språk; Romance Languages; Romanska språk; French language;

    Sammanfattning : The present study focusses on the theatre audience, and on its’ role in the maintenance of the theatrical situation. Using video-recorded performances of relatively naturalistic, modern dramas, the study examines the behaviour of the audience in relation to the unfolding of stage events. LÄS MER

  3. 13. TV FOR CHILDREN : How the Swedish Public Service Television Imagines a Child Audience

    Författare :Åsa Pettersson; Anna Sparrman; Bengt Sandin; Cynthia Carter; Linköpings universitet; []
    Nyckelord :Children; television; public service; child audience; TV programming; Barn; TV; public service; barnpublik; TV program;

    Sammanfattning : The study explores how the Swedish public service TV institution imagines a child audience in a societal context where the broadcasting landscape hastransformed greatly over the past thirty years and where TV is seen to  constitute both risks and benefits for children. The concept of TV for children is established to broaden the scope for studying what has been broadcast for a child audience on public service TV. LÄS MER

  4. 14. Audience design in interaction: studies on urban adolescent spoken languages

    Författare :Julia Forsberg; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Linguistics; Adolescent speech; English in Sweden; Referee design; Audience design; Map-task;

    Sammanfattning : Speakers of a language carry with them a set of language ideologies, i.e. beliefs about norms and rules in relation to that language. One such ideology is a standard language ideology, which is generally associated with prescriptive beliefs connected to linguistic standardness and correctness. LÄS MER

  5. 15. Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant

    Författare :Jonathan Westin; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Techniques of visual representation; visualisation; limitation; audience; museum; exhibition; technology; interactivity;

    Sammanfattning : The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. LÄS MER