Sökning: "Art science"
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477 avhandlingar innehållade orden Art science.
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Författare :Britt Jakobson; Per-Olof Wickman; Jan Schoultz; Stockholms universitet; []
Nyckelord :aesthetic experience; aesthetic judgement; art activities; continuity; Dewey; elementary school; imagination; learning; meaning-making; practical epistemology analysis; reconstruction; science; spontaneous metaphors; transformation; Wittgenstein.; NATURAL SCIENCES; NATURVETENSKAP; didaktik; Didactics;
Sammanfattning :
This thesis considers the role of aesthetic meaning-making in elementary school science learning. Children’s aesthetic experiences are traced through their use of aesthetic judgements, spontaneous metaphors and art activities. The thesis is based on four empirical studies: the first two examining children’s language use, i.e. LÄS MER
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Författare :Anders Hallengren; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Ralph Waldo Emerson 1803-1882 ; natural law; ethics; aesthetics; esthetics; politics; USA; ethics and physics; laws of nature; laws of society; laws of art; American literature; American philosophy; American history; legal philosophy; constitutional law; human rights; rule of law; Literature; Litteraturvetenskap; Theoretical philosophy; Teoretisk filosofi; Practical philosophy; Praktisk filosofi; Public law; Offentlig rätt; Other law; Övrig rätt; Theory of science; Vetenskapsteori; History of science and ideas; Idé- o lärdomshistoria; Political science; Statsvetenskap; Literature; litteraturvetenskap; praktisk filosofi; Practical Philosophy;
Sammanfattning :
The purpose of this work is to detect a pattern: the concordance of Ethics and Aesthetics, Poetics and Politics in the most influential American thinker of the nineteenth century. It is an attempt to trace a basic concept of the Emersonian transcendentalist doctrine, its development, its philosophical meaning and practical implications. LÄS MER
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Författare :Ola Ståhl; UK University of Leeds; []
Nyckelord :HUMANIORA; HUMANITIES; Ethico-Aesthetics; Contemporary Art; Artist Collectives; Collaboration; Micro-Politics; Deleuze and Guattari; Spinoza; Art science; Konstvetenskap;
Sammanfattning :
The 1990s saw a tendency within the field of contemporary artistic practice for outwards expansion: artistic projects increasingly got involved in wider social and political contexts; transversal and transdisciplinary links were established with other forms of practice; collaboration and participation became the explicit form and sometimes material of artistic practices; the group, collective or network was increasingly posed as an alternative to the individual artist in much the same way as the self-organized, artist-run space set itself up as an alternative to art institutions and galleries. Taking as its point of departure such notion of expansion within the field of artistic production, this thesis sets out to explore the aesthetics developed by these practices, and the link this aesthetics poses to ethical and political trajectories. LÄS MER
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Författare :Emma Jansson; Sabrina Norlander Eliasson; Anna Bortolozzi; Jorgen Wadum; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Anders Zorn; oil painting; technical art history; technical analysis; materiality; material culture; conservation science; nineteenth century; juste milieu; modernism; modernity; Impressionism; Paris Salon; secessionism; konstvetenskap; Art History;
Sammanfattning :
Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. LÄS MER
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Författare :Lars Diurlin; Olof Hedling; Max Liljefors; Bo Florin; Filmvetenskap; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental Film; Film Policy; Cultural Policy; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk; Peter Kylberg; Experimentfilm; Biografier; Regissörer; Filmpolitik; Kulturpolitik; Avantgarde; Avantgardefilm; Svenska Filminstitutet; Harry Schein; Film Studies; Filmvetenskap; Art science; Konstvetenskap; Historia; History; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;
Sammanfattning :
This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
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