Sökning: "Art history"

Visar resultat 16 - 20 av 608 avhandlingar innehållade orden Art history.

  1. 16. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

    Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

    Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER

  3. 17. Frida Kahlos bildspråk – ansikte, kropp & landskap: Representation av nationell identitet (första utgåvan)

    Författare :Eva Zetterman; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Frida Kahlo; self-representation; national identity; post-revolutionary project; la tehuana; José Vasconcelos; the cosmic race; la raza; hispanidad; indigenismo; mestizaje; Malintzín; la Chingada; la Virgen de Guadalupe; chinanos; chicanas; semiotics; Roman-Catholic iconography; pictorial traditions; visual strategies.; Frida Kahlo; Visual Arts;

    Sammanfattning : This dissertation is about the Mexican artist Frida Kahlo (1907-1954) and her works, with emphasis on her painted self-portraits. The objective is to place Frida Kahlo’s pictorial production in relation to a place and time specific context and to test the theory for Frida Kahlo’s self-portraits as a project connected to a general striving towards a new formulation of a national identity. LÄS MER

  4. 18. Konst och kartläggning kring 1970 : Modell, diagram och karta i konstens landskap

    Författare :Karolina Uggla; Jeff Werner; Margaretha Rossholm Lagerlöf; Annika Öhrner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Conceptual art; maps; mapping; art and cartography; art and mapping; visual culture; art and science; scientific images; art and cybernetics; alienation; the linguistic turn; Agnes Denes; Sten Eklund; Hans Haacke; Öyvind Fahlström; Richard Long; Yoko Ono; Robert Smithson; konstvetenskap; Art History;

    Sammanfattning : The years around 1970 saw the emergence of an artistic fascination with maps and mapping. In the present thesis this fascination is conceptualised as a mapping impulse, acknowledging how the discourses of art and mapping, respectively, intertwine and merge. LÄS MER

  5. 19. Resande i arkitektur : John Åkerlunds liv och verk

    Författare :Karin Eriksson Hultén; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Art history; Architecture; national romanticism; care of local arts; crafts and history; ownhome movement; folk high schools; churches; tourist stations; industrial buildings; Konstvetenskap; Art; Konstvetenskap; konstvetenskap; History Of Art;

    Sammanfattning : The thesis describes John Åkerlund (1884-1961) as a prominent architect among all those who were active in Sweden in the first half of the 20th century. The aim is to shed light on an extensive and partly unique professional achievement, somewhat overshadowed by those who have so far been paid more attention. LÄS MER

  7. 20. Om måleriet i den klassicistiska konstteorin : Praktikens teoretiska position under 1700-talets andra hälft

    Författare :Marta Edling; Torsten Weimarck; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Classicist art theory; eighteenth century; painting; practice and manual execution vs. mental creativity; material form and intellectual content of the art object; the hierarchy of genres; national schools of painting.; konstvetenskap; Art History; Art; Konstvetenskap;

    Sammanfattning : The character of the manual execution and material form of the art object were ascribed little value in the classicist theory of art. The practical act of painting was associated with handicraft and routine. LÄS MER