Sökning: "Aesthetics of chorale."

Hittade 4 avhandlingar innehållade orden Aesthetics of chorale..

  1. 1. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning

    Detta är en avhandling från Anders Dillmar, Bernadottevägen 51, 75 48 Uppsala

    Författare :Anders Dillmar; Lunds universitet.; Lund University.; [2001]
    Nyckelord :HUMANIORA; HUMANITIES; Theomusicology; Ethnohymnology; Early German literary romanticism; 19th century; Sweden; Johann Christian Friedrich Hæffner; Chorale book; Congregational hymn singing; Old way of singing; Singing practice; Ornamentation; Individualized way of singing; Heterophony; Regular singing; Chorale reform; Four-part singing; Iso-rhythmical performance; Chorale tempo; Harmonisation of hymn tunes; Legato; Moravian singing practice; Symbolism of organ; Organ playing of chorales; Aesthetics of chorale.; Musicology; Musikvetenskap;

    Sammanfattning : Popular Abstract in Swedish I denna bok undersöks det begynnande 1800-talets svenska reform av kyrkosången. I fokus står J C F Hæffners koralbok 1820, med dess privat utgivna andra del 1821, som här för första gången ägnas en ingående idéhistorisk analys. Hæffners utgåva har kritiserats hårt för att ha tagit död på den s.k. LÄS MER

  2. 2. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Detta är en avhandling från Göteborg : Dept. of Musicology, School of Music and Musicology, Göteborgs universitet

    Författare :Sverker Jullander; Göteborgs universitet.; Gothenburg University.; Göteborgs universitet.; Gothenburg University.; [1997]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER

  3. 3. Die Choralreform in den Ostseeprovinzen in der ersten Hälfte des 19. Jahrhunderts. Ein Beitrag zur Geschichte des protestantischen Kirchengesangs in Estland und Livland

    Detta är en avhandling från studio · verlag, Zehnthofstrasse 2, D-53489 Sinzig, Germany

    Författare :Toomas Siitan; Lunds universitet.; Lund University.; [2003]
    Nyckelord :HUMANIORA; HUMANITIES; Organ playing of chorales; Moravian singing practice; Regular singing; Old way of singing; Singing practice; Aesthetics of chorale; Congregational hymn singing; Ethnohymnology; Hymnology; Baltic provinces; Livonia; Estonia; Chorale book; 19th century; Chorale reform; Music education in 19th century; National culture; Historicism.; Musicology; Musikvetenskap;

    Sammanfattning : The present thesis analyzes the reform of congregational singing in Livonia and Estonia in the first half of the 19th century. In this process the writings on the aesthetics of the congregational singing of a German pastor Johann Leberecht Ehregott Punschel (1778–1849) active in Livonia, and a chorale book (1839) that he edited occupied the central place. LÄS MER

  4. 4. 'A passable and good temperament': a new methodology for studying tuning and temperament in organ music

    Detta är en avhandling från Göteborg : Dept. of Musicology

    Författare :Johan Norrback; Göteborgs universitet.; Gothenburg University.; Göteborgs universitet.; Gothenburg University.; [2002]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; organ; organ building; historical sources; methodology; tuning; temperament; Johann Sebastian Bach 1685–1750 ;

    Sammanfattning : Playing Johann Sebastian Bach's organ chorale O Lamm Gottes, unschuldig (BWV 656) on an organ tuned according to a historic temperament raises questions about the role of temperament in organ music. From the interpreters point of view it would be desirable to be able to compare different temperaments effect on the music, and based on that draw conclusions about the temperaments role in the interpretative process. LÄS MER