Sökning: "18th century England"

Visar resultat 6 - 8 av 8 avhandlingar innehållade orden 18th century England.

  1. 6. Medaljens baksida : Instrumentmakaren Daniel Ekström och hans efterföljare i 1700-talets Sverige

    Författare :Olov Amelin; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; History of science and ideas; Scientific instruments; astronomy; land surveying; technology transfer; 18th century science; Academy of sciences; Idé- och lärdomshistoria; History of science and ideas; Idé- o lärdomshistoria; idé- och lärdomshistoria; History Of Sciences and Ideas;

    Sammanfattning : This thesis deals with scientific instrument-making in Sweden in the 18th century with an overview of the craft in the second half of the 17th century. The main character in this book, Daniel Ekström is introduced in chapter two. LÄS MER

  2. 7. "Sweetenings" and "Babylonish Gabble" : Flute Vibrato and Articulation of Fast Passages in the 18:th and 19:th centuries

    Författare :Maria Bania; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :Historical Performance Practice; Flute; Vibrato; Articulation; Double-tonguing; Artistic Research; Flattement; Johann Joachim Quantz; Johann George Tromlitz; Morten Raehs; Johan Helmich Roman; Charles Nicholson; Louis Drouët;

    Sammanfattning : During the 18th and 19th centuries, vibrato as well as the articulation of fast passages was often not indicated in the musical scores, but was left to the players discretion within prevailing practice. A finger-vibrato technique that this study names the flattement technique was the most recommended vibrato technique in Western classical music throughout the 18th century. LÄS MER

  3. 8. See and Seen : Seeing Landscape through Artistic Practice

    Författare :Matts Leiderstam; Konsthögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Nicolas Poussin; landscape painting; Claude Lorrain; Art of painting; Måleri; Nicolas Poussin; Claude Lorrain;

    Sammanfattning : The point of departure for See and Seen text, website and exhibition) is the conventions of the Ideal Landscapes painted in Rome during the 17th century by artists such as Claude Lorrain and Nicolas Poussin. In 18th century England this translated into a particular gaze that became the fashion for how, and the parameters within which, the landscape was to be seen and that subsequently gave rise to landscaped parks, poetry and painting, and consequently had a significant role in shaping theories of the Picturesque. LÄS MER