Sökning: "18th century British art"

Hittade 3 avhandlingar innehållade orden 18th century British art.

  1. 1. Landskapets röster : Studier i Elias Martins bildvärld

    Författare :Mikael Ahlund; Hedvig Brander Jonsson; Emilie Karlsmo; Sten Åke Nilsson; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Landscape painting; 18th century Swedish art; 18th century British art; 18th century Sweden; Gustav III; art markets; travel writing; word image.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : This thesis is about the Swedish landscape painter Elias Martin (1739-1818). The main interest is in his depictions of nature, landscape images and topographical views. Chronologically, it covers the period 1760 to 1810. LÄS MER

  2. 2. Mimesis as the Representation of Types : The Historical and Psychological Basis of an Aesthetic Idea

    Författare :Michael Ranta; Margaretha Rossholm-Lagerlöf; Staffan Carlshamre; Lars-Olof Åhlberg; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art theory; aesthetics; cognitive psychology; experimental aesthetics; history of aesthetics; mental representation; aesthetic preference; pictorial representation; prototypicality; schema theory; emotion theory; categorization; behaviourism; Art; Konstvetenskap; Art science; Konstvetenskap;

    Sammanfattning : This work attempts to investigate a long-standing tradition within the history of aesthetics according to which the function of pictorial representation consists, or ought to consist, of the rendering of general or idealized types rather than particulars. Proponents of this view may be found in various versions from antiquity to the present. LÄS MER

  3. 3. See and Seen : Seeing Landscape through Artistic Practice

    Författare :Matts Leiderstam; Konsthögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Nicolas Poussin; landscape painting; Claude Lorrain; Art of painting; Måleri; Nicolas Poussin; Claude Lorrain;

    Sammanfattning : The point of departure for See and Seen text, website and exhibition) is the conventions of the Ideal Landscapes painted in Rome during the 17th century by artists such as Claude Lorrain and Nicolas Poussin. In 18th century England this translated into a particular gaze that became the fashion for how, and the parameters within which, the landscape was to be seen and that subsequently gave rise to landscaped parks, poetry and painting, and consequently had a significant role in shaping theories of the Picturesque. LÄS MER